It’s all too easy to feel at home in Casey Walker’s Home Bodies. Red (Emma Ho) and Blue (Ian Ho) have lived all their days in…
There is something about horror maestro Takashi Shimizu’s The Mouths that feels as foundational as myth. The film’s premise is simple enough: a group of university-aged…
At best, Wiebke von Carolsfeld’s Someone’s Daughter can be described as well-intentioned. Critically, however, it is existentially foolhardy and morally naive. Carrying a juvenile sort…
Kasper Kalle’s No Rest for the Wicked is, on the face of it, dark and grim; apt, for a vampire horror with Gothic sensibilities. The film,…
Watching Peter Hengl’s mid-length film The Fated Hour feels like handling a delicate porcelain doll: a precious encounter with a time-worn magic. The film, commissioned…