One of the difficulties of navigating the Rotterdam Film Festival as a cinephile is the sheer sprawl of its sections, both in terms of older…
The haze of childhood offers considerable dwelling space for joy and grievance alike; forceful then but mostly latent now, these emotions nonetheless bear the transformative…
Luc Besson, famed French director of Léon: The Professional and The Fifth Element, returns from making the relatively obscure June and John (2025) to release…
January Reviews Week of December 28 Genre Views We Bury the Dead — Zak Hilditch January 2 by Daniel Gorman Read Review Week of January…
Moonglow Writing in e-flux Journal on Klute’s semicentenary, Isabel Sandoval discussed in detail the immeasurable influence of Alan J. Pakula’s neo-noir crime thriller — especially…
Writing in e-flux Journal on Klute’s semicentenary, Isabel Sandoval discussed in detail the immeasurable influence of Alan J. Pakula’s neo-noir crime thriller — especially its…
In any competitive race, the relevant agents can be organized as such: the spectators, who traditionally stay rooted to the spot and view its proceedings…
Despite being so nondescript, the title of The Arab actually communicates quite a lot. In the singular nominative, it reduces a specific man or woman…
So rare is contemporary parlance’s penchant for the optimistic, and so sparse are its vocabularies for the beatific, that Cynthia Beatt’s monumental Heart of Light…
The best mysteries always maintain an air of… well, mystery about them. Propelled by the fear, pain, and panic of having all too many questions…
What happens when an act of resistance evolves from a single event into a living condition? In her debut feature, Why Do I See You…
There’s no one out there making them quite like Alan Mak, for better or worse. One-third of the team behind the Infernal Affairs series, along…
After a long career as an actress, Marijana Janković stepped behind the camera to tell the story on her own terms. Her debut feature Home,…
Artemis Shaw and Prashanth Kamalakanthan’s 2023 no-budget feature New Strains was one of the few films interested in documenting the psychological reality of living through…
One of the most impressive first features to debut in 2025 was My Father’s Shadow. Screened for the first time at the Cannes Film Festival,…
Picking up where Chapters 1 and 2 left off, The Strangers: Chapter 3, the final entry Renny Harlin’s ultimately limp reboot trilogy, has arrived for…
Moments in pop music come and go, but none in recent memory have been eulogized quite like brat summer. Within a year, the promotional tail…
Some might find this fact difficult to stomach, but there was a fairly recent time in horror movie history where the Saw franchise reigned supreme…
There’s a school of thought that would read Pillion’s ending as a positive sentiment, in which a man who blunders his way into the BDSM…
Nightmare’s Advice Renaud Després-Larose and Ana Tapia Rousiouk, along with their frequent collaborator Olivier Godin, represent an alternative stream of Quebecois cinema, one that is…
Renaud Després-Larose and Ana Tapia Rousiouk, along with their frequent collaborator Olivier Godin, represent an alternative stream of Quebecois cinema, one that is both shoestring…