At best, Wiebke von Carolsfeld’s Someone’s Daughter can be described as well-intentioned. Critically, however, it is existentially foolhardy and morally naive. Carrying a juvenile sort…
Kasper Kalle’s No Rest for the Wicked is, on the face of it, dark and grim; apt, for a vampire horror with Gothic sensibilities. The film,…
Watching Peter Hengl’s mid-length film The Fated Hour feels like handling a delicate porcelain doll: a precious encounter with a time-worn magic. The film, commissioned…