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by Calum Reed

Credit: NYAFF
by Calum Reed Film

They Say Nothing Stays the Same | Joe Odagiri

Ten years after his debut feature, Looking for Cherry Blossoms (2009), actor-turned-director Joe Odagiri‘s belated follow-up, They Say Nothing Stays the Same, was selected in a sidebar of last year’s Venice Film Festival. A meditative lamentation for a defunct way of life, the film…

September 9, 2020
Photo: Eric Branco
Before We Vanish by Calum Reed Film

Clemency | Chinonye Chukwu

Winner of the Grand Jury Prize at the Sundance Film Festival, Chinonye Chukwu’s grim death row drama Clemency begins with a lethal injection gone wrong, which results in a prisoner experiencing an especially agonizing end. Dealing with the controversial issue of capital punishment, still…

December 28, 2019
Photo: Julieta Cervantes
by Calum Reed Film Horizon Line

Uncut Gems | Benny & Josh Safdie

Having recently explored heroin-heavy, vagabond living in Heaven Knows What (2014) and a bank robber’s desperation in Good Time (2017), directors Benny and Josh Safdie glimpse a different class of criminal underworld in Uncut Gems, an audacious, hysterical window into the shady dealings of New York City jeweller Howard Ratner…

December 28, 2019
Photo: Focus Features
by Calum Reed Film Horizon Line

Harriet | Kasi Lemmons

Ever since Eve’s Bayou, Kasi Lemmons has foregrounded the need for black adolescents to realize the importance of their influence and existence in a society fundamentally unjust to them. This specific thematic concern may situate her as uniquely qualified to tell the  story of African American…

November 30, 2019
Photo: TIFF
by Calum Reed Film Horizon Line

The Two Popes | Fernando Meirelles

Religious resentment dominates the order of service in Fernando Meirelles‘ The Two Popes, an adaptation of acclaimed screenwriter Anthony McCarten’s play about the unexpected resignation of Pope Benedict XVI. Commencing with the death of John Paul II and the election of his successor Joseph Ratzinger…

November 30, 2019
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