Late in Eastwood’s chronicle of Captain Chesley “Sully” Sullenberger’s emergency water landing of US Air 1549 (dubbed the “Miracle on the Hudson”)—and the investigation that…
While much of Sion Sono’s early-aughts filmography is littered with cycles of violence and horror—films that plumb the depths of a darkness seemingly inherent in humankind—the ever-ubiquitous…
Sion Sono’s The Virgin Psychics is one strange movie, though not for the reasons his films are usually strange. True to its title, this high-concept…
The jarring, discordant tones present in Tag are established within just the film’s first few images, which juxtapose an ominous helicopter shot of school buses and the dissonant…
There’s a moment at the end of Love & Peace, an otherwise lumpy adult fairy tale, where the story threatens to come to a satisfyingly destructive head. At…
Shinjuku Swan, an adaptation of Ken Wakui’s manga series, finds director Sion Sono at his slickest, glossiest, and most impersonal. Set in the bustling titular…
Though the presence of Shota Sometani, the tortured lead actor of Sion Sono’s Himizu—who’s even sporting the same gray hoodie he wore in that previous film—establishes a…
There’s a moment late in Why Don’t You Play in Hell? that neatly sums up Sion Sono’s distinctive vision. A boy crawls through a blood-soaked…
Sion Sono’s near-masterpiece Himizu takes place in the shadow of the 2011 Tohoku earthquake and tsunami and ensuing Fukushima Daiichi nuclear meltdown, the largest such…
An unfulfilled housewife drifts away from her mannered husband by selling her body whenever he’s away in Sion Sono’s Guilty of Romance—a film that seems in conversation…
Kate Plays Christine offers an intriguing setup at the expense of an ultimately unjustified exploitation. Director Robert Greene invites actress Kate Lyn Sheil to perform…
Despite its 2012 release, Bad Film captures a Sion Sono before he reached international acclaim; before his particular brand of otaku-influenced action films; and before his…
Only in a filmography as stylistically restless and formally anarchic as Sion Sono’s would a somber family drama like The Land of Hope be considered a radical…
Sion Sono’s Love Exposure is an epic, four-hour romantic comedy about terrible fathers, upskirt photography, Catholicism, and the meaning of love. Where Sono’s Bicycle Sighs could be categorized…
Werner Herzog’s latest documentary demonstrates the master’s ability to both simulate an evenhanded exploration of multiple view points and assert his own, unwavering allegiances with…
One task of the critic is to place a film within the context of its artist’s entire body of work, looking for recurring themes, motifs, obsessions,…
An anomalous tearjerker from Sion Sono couched between some of the director’s most outré genre eruptions, Be Sure to Share channels Sono’s own grief over the…
When the director of a film is also its screenwriter it’s relatively safe to assume that what you’re watching—outside interference notwithstanding—is a story that they actually…
Though it sports a few grisly images of its own, Noriko’s Dinner Table borrows most of its bloodshed from its companion film, Suicide Club. Sono…
Pull any Sion Sono movie off the shelf and chances are somebody somewhere has called it his “most extreme.” With a filmography as pervasively perverse…
If there’s one word that beats at the heart of the violent, restless Hazard, Sion Sono’s 11th film, it’s “transcendence.” Nominally a crime story about a Japanese…