It’s arguably a Sisyphean task to adapt Henry James’ late work to the screen, and in particular his 1903 novella The Beast in the Jungle.…
“Art is for keeps,” the protagonist of Vasilis Katsoupis’ Inside proclaims, just shortly before finding himself condemned to an art-laden torture chamber. Played by Willem…
If the camera produces an impression of a visualizable and material reality, how can the apparatus of cinema stand in for an abstract and intangible…
Premiering in Berlinale Forum, a space reserved for “test[ing] the boundaries of convention,” Yoo Heong-jun’s Regardless of Us will inevitably elicit comparisons with the works…
Images fade in and out, they flicker and repeat as metallic crashing and analog distortion echo from a distance. Lei Lei’s fragmentary short, That Day,…
In João Canijo’s Berlinale competition film Bad Living, long shots are composed so precisely that their motivations frequently don’t become clear for minutes — often…
Since moving from 16mm to digital nearly fifteen years ago, James Benning’s films have become more and more stringent, foregoing surface incident in favor of…
Subtlety isn’t Singaporean cinema’s strong suit, as year after year of mainstream slop, indie darlings, and enfant terrible flops (having largely been banned back home)…
The idea that cinema is dying, or perhaps already died, is certainly popular in a time when digital spectacle has all but consumed any other…
A young woman from Tokyo finds herself in a strange town. In the beginning, she is looking for a tourist site, the ruins of an…
“I have a secret life. You’re looking at me but what you see is not what I am.” Who was Donna Summer? This is the…
The first feature from Chinese filmmaker Wu Lang, Absence shares a title and cast with the director’s second short film, which played at Cannes in…
There is little build-up to the opening of Kazuyoshi Kumakiri’s latest thriller, #Manhole. Within the first five minutes, unfortunate salesman Shunsuke Kawamura (Yûto Nakajima) awakes…