Lou Ye’s Summer Palace is an exasperating experience, full of interesting ideas and an incendiary political backdrop but falling victim to clichés of poeticized romantic longing.…
Purple Butterfly is a film of dreamy realism, sometimes insoluble and suffused with a haze that is, at once, sepulchral yet sultry — a film about…
The year 2000 was a watershed year for Chinese-language cinema. Milestones like Crouching Tiger, Hidden Dragon and In the Mood for Love and Yi Yi…
The most striking aspect of Weekend Lover, the directorial debut of Sixth Generation Chinese filmmaker Lou Ye, is its palpable sense of existence as a…
The literal translation of Don’t Be Young’s Chinese title, “Wei Qing Shao Nu,” means “Emotional Young Lady”— and it is, in many ways, a more than…