Late in Alex Gibney’s Casino Jack and the United States of Money, a damning but top-heavy indictment of clearly evil Washington lobbyist Jack Abramoff, we’re…
Most films never expand past their 16:9 rectangular tombs, passively projecting until they inevitably fade to black. But a film like I Am Love transcends…
Neil Jordan is one of those directors whose reputation mysteriously exceeds his productivity. Few of his films stand out as anything more than thrill or…
Just four films into an already distinguished career, South Korea’s Bong Joon-ho has established himself as one of contemporary cinema’s most formidable genre directors. His…
Modest Sundance hit The Answer Man is one of those films that seems to erase itself from your memory days after seeing it. It’s a hokey…
Two Lovers is the fourth feature from James Gray, whose efforts haven’t been unreservedly praised since his 1994 debut, Little Odessa, and who has been…