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by Daniel Gorman Retrospective

Cold Fish | Sion Sono

August 19, 2016

One task of the critic is to place a film within the context of its artist’s entire body of work, looking for recurring themes, motifs, obsessions, etc. But the sheer breadth of Sion Sono’s filmography—coupled with those films’ sporadic (at best) distribution—leaves the average viewer with a perhaps skewed version of the director’s intentions. For better or worse, much like Takashi Miike, Sono is as a result known for his over-the-top violence and digressions into outright absurdity, sometimes coupled with extremely long running…

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