Songs of Earth On November 14, 2023, this year, the United States federal government released the National Climate Assessment, the latest report comprehensively spelling out…
Maestro When the 2018 remake of old Hollywood standby A Star is Born dropped, it marked the culmination of over a decade’s worth of effort…
Strange Way of Life A 32-minute queer cowboy melodrama paid for by Yves Saint Laurent, Strange Way of Life is Pedro Almodóvar’s second English-language short…
MMXX Few directors have explored the implications of real-time continuity — or a reasonable approximation thereof — as resolutely as Romanian director Cristi Puiu. From…
The Delinquents Blanket declarations about three-hour-plus runtimes always seem curious when filmmakers employ said length for wildly different purposes. Though the sweeping epic may be…
Next Goal Wins Consider the fortunes of Taika Waititi in just the last five years. Briefly heralded as one of the more exciting voices in…
He Thought He Died Before He Thought He Died (2023), a friend spoke on his misgivings about 88:88 (2016), Isaiah Medina’s hitherto best-known film, echoing…
Menus-Plaisirs: Les Troisgros For most of Frederick Wiseman’s career, the master documentarian has focused on the lives and institutions of the United States. His films…
Les Indésirables “The real problem [or] the central mystery of politics is not sovereignty, but government; it is not God, but the angel; it is…
Whew! It’s only September, but here at InRO it does feel like we’ve lived through at least two of ’em, having successfully trawled through Cannes, Tribeca,…
The Palace At first glance, the Gstaad Palace looks like the last vestige of European aristocracy. The town of Gstaad, Switzerland itself catered only to…
Essential Truths of the Lake As yet another Hong Sang-soo project makes the rounds, surely to be followed in four to six months by another,…
River Director Yamaguchi Junta’s Beyond the Infinite Two Minutes was a delightful no-budget time travel comedy that hit the scene a couple of years ago,…
Do Not Expect Too Much From the End of the World To the uninitiated, written descriptions of Radu Jude’s cinema might give the wrong impression…
Red Rooms In 2002, Olivier Assayas’ Demonlover premiered in competition at the Cannes Film Festival to a storm of controversy, eclipsed — for better or…
Where the Devil Roams It’s difficult to parse the project of Toby Poser, John Adams, and Zelda Adams without relating it to the larger film…
We admit it, we’re gluttons for guts, gore, and genre. An antidote to the flattened, self-serious, and artistically anonymous titles that occupy coveted festival slots…
Nomad (Director’s Cut) One of the finest films of the Hong Kong New Wave, Patrick Tam’s Nomad (1982), plays at this year’s NYAFF in a…
Right under the wire, we bring to you our Top 25 Albums of 2022. It’s also the second edition of our weekly magazine, kicking off…
Changes are coming to InRO in 2023, and by that we mean today. Beginning in January, InRO will be dropping a weekly magazine, every Friday…
InRO started, as an idea, in early 2007, when it went by a slightly different name and an acronym much too corny to reproduce here.…