Anime has always been more inclined toward YA-facing and -reflecting projects than most other film genres, perhaps only rivaled by the short-lived post-Harry Potter cottage…
Nimona, the animated film adaption of ND Stevenson’s graphic novel of the same name — itself an expanded print edition of the cartoonist’s popular Tumblr-based…
In This Issue: FEATURES: KICKING THE CANON: Déjà Vu (Tony Scott) by Daniel Gorman // The Room (Tommy Wiseau) by Chris Mello FILM REVIEWS: Umberto Eco:…
In This Issue: FEATURES: THE SOUND BEFORE THE IMAGE: An Interview With Alice Winocour by Sarah Williams KICKING THE CANON: The Friends of Eddie Coyle (Peter…
In This Issue: FEATURES: RISK-TAKING AND POETIC IMAGINATION: An Interview With Julien Rejl by Jesse Catherine Webber KICKING THE CANON: Pistol Opera (Seijun Suzuki) by Owen…
In This Issue: TRIBECA FILM FESTIVAL 2023: Blood For Dust (Rod Blackhurst) by Andrew Dignan // Afire (Christian Petzold) by Ryan Akler-Bishop // Somewhere Quiet (Olivia West Lloyd)…
There’s the kernel of a fascinating Frankenstein adaptation at the center of Bomani J. Story’s directorial debut, The Angry Black Girl and Her Monster. Taking…
In This Issue: FEATURES: FULL TILT BOOGIE: An Interview With Abel Ferrara by Zach Lewis KICKING THE CANON: Day of the Dead (George A. Romero) by Dylan…
So far as vanity projects go, Shooting Stars is a refreshingly humble affair, which is perhaps fitting for a global superstar — LeBron James —…
In This Issue: FEATURES: CANNES FILM FESTIVAL: Club Zero (Jessica Hausner) by M.G. Mailloux // Last Summer (Catherine Breillat) by Luke Gorham // Kidnapped (Marco Bellocchio)…
The members of Aespa, the newest group from legendary K-pop company SM Entertainment, work two jobs: one as regular idols and performers, and another as…
In This Issue: CANNES FILM FESTIVAL: The Zone of Interest (Jonathan Glazer) by Lawrence Garcia // The Sweet East (Sean Price Williams) by Zach Lewis // …
In This Issue: FEATURES: CANNES FILM FESTIVAL: Monster (Hirokazu Kore-eda) by Lawrence Garcia // Only The River Flows (Wei Shujun) by Micahel Sicinski // Marguerite’s Theorem (Anna Novion) by…
There’s always at least a modicum of interest stirred up when well-known actors take a turn in the director’s chair. More often than not, these…
A high-angle shot of a yakuza and his girlfriend continues following the woman overhead as she crosses a street to a school swimming pool. The…
In This Issue: FEATURES: IN THE STYLE AND THE IN THE STORYTELLING: An Interview with Ashley McKenzie by Jesse Catherine Webber BOUNDARIES ARE PERMEABLE: Thoughts On…
Last year, InRO reviewed K-pop boy group Seventeen’s Face the Sun, their fourth full-length album and one of the best projects of their career. Face…
Since its launch in November 2019 — fortuitous timing for a streaming service to enter the public sphere — Disney+ has padded its subscriber base…
In This Issue: FEATURES: Bodies of Dissent: A Conversation With Adirley Queirós and Joana Pimenta by Alonso Aguilar White House Plumbers by Shar Tan KICKING THE…
In This Issue: FEATURES: Prismatic Ground 2023: AIDOL / theta (Lawrence Lek) by Zach Lewis // Where Is This Street (João Pedro Rodrigues and João Rui…
There’s no denying a certain charm inherent to the Broken Lizard crew. Grating as they almost certainly are to your mom, there’s always been a…