In Christian Petzold’s latest film, sexual tensions rumble with such intensity that the only natural outcome is the eruption of a devastating forest fire. Afire…
In This Issue: FEATURES: MASTER OF PUPPETS: A Retrospective of James Wan’s Scary Movies by Mike Thorn FIDMarseille 2023: The Mariner (Yohei Yamakado) by Ryan Akler-Bishop // …
“If they echo our sense that our bodies are liable to become dead, intractable objects, […] puppets also play out a fantasy of surviving so…
Soundtracked by a recording of John Cage’s minimalist piano piece “Dream,” a rocky terrain sits next to a sprawling seascape. Cyclists cruise beachy pathways as…
In 2020, French director Mathilde Girard released Episodes — Spring 2018, a half-hour film that played like a fictionalized diary and was notable for its…
Film often exists in a curious relation to the art world. Though there’s no formal distinction between film and video art or artists’ moving image,…
How I Became a Communist opens on a static shot of an elderly woman cleaning out the chimney of her rural Irish farmhouse. There is…
Argentinian filmmaker Gustavo Fontán has produced fourteen feature films since 2003, but still hasn’t broken through on the film festival circuit in a substantial way.…
Nicolas Klotz and Elizabeth Perceval’s new film, New World! (The World Anew), was shot on Ushant, an island off the coast of Brittany where Jean…
Having premiered at the Berlinale earlier this year and going on to win the 2023 Caligari Film Award — supplemented by the almost parodic jury…
Savanah Leaf’s debut Earth Mama treats the viewer to a tender, moving portrait of a complicated Black woman. Leaf establishes the stakes early on: Gia…
It might seem strange that Hideaki Anno’s name would come to be associated with nostalgic childhood properties, given how much of his work has engaged…
Despite being born in Surrey, British director Peter Watkins has evolved into a nomadic artist, having lived in Sweden, Canada, Lithuania, and now residing in…
Since the last Mission: Impossible movie, Fallout, was released in 2018, Tom Cruise has seemingly forced his superhero status into the real world by sheer…
Insidious: The Red Door marks the fifth film in the 13-year-old horror series, but it’s the first direct sequel to 2013’s Chapter 2, with parts…
Brian De Palma is the great voyeur, the plump-bellied pervert of post-Hitchcock American cinema. His films have a singularly sleazy feel, gloriously gaudy and admirable…
Two parts simmering battle of wills between a pair of strong-willed authors, one part bone-dry autocritique of its own exquisite corpse-like premise, Alice Troughton’s The…
Director Chris Smith made a name for himself with 1999’s American Movie, a documentary that followed two aspiring Midwestern filmmakers whose passion for the medium…
Sci-fi-tinged two-hander Biosphere is the latest offering from Mr. Mumblecore himself, Mark Duplass, who not only stars, but also co-wrote the script with director Mel…
It’s a shame that our contemporary film exhibition apparatus has no place for medium-length works like Alain Kassanda’s Trouble Sleep. At 40 minutes, it’s too…
Hollywood action films have long abdicated the realm of gritty believability in favor of awe-inspiring excitement beyond the border of suspended belief. This has been…