There’s likely to be no better opening sequence in a film this year than the one found in Austrian director Gotz Spielmann’s fifth feature, Revanche.…
State of Play has everything one would expect from a great political thriller: an all star cast, one of Hollywood’s hottest writers doing some of…
Sacha Gervasi’s tremendously funny, yet achingly painful, documentary chronicles the attempted resurgence of the titular ’80s metal also-rans. Anvil! The Story of Anvil is among…
If you could live your life all over again, would you do anything differently? Is there a crucial, life-altering moment in your past that you…
Ramin Bahrani’s first two films, 2006’s Man Push Cart and 2008’s Chop Shop, wear the Iranian-American director’s neorealist influences proudly, and their release marked the…
It’s a pain to review omnibus films. To do so is to review (in this case at least) three separate features, weighing the hits and…
The Band’s cover of Bob Dylan’s “When I Paint My Masterpiece” plays during the opening sequence of Jody Hill’s new black comedy, Observe and Report,…
Cary Joji Fukunaga’s Sin Nombre bests its Disneyfied cousin Slumdog Millionaire in nearly every way. Whereas Danny Boyle’s film is frenetically shot, frantically paced, and…
Following 2006’s Half Nelson, a convincing depiction of friendship between a 13-year-old and her crack-addict teacher (a role which Ryan Gosling won an Academy Award…
In 12, director Nikita Mikhalkov brings to fruition a project ten years in the making. The film is something of a re-imagining of Sidney Lumet’s…
There was a time when Vin Diesel was pegged as an up-and-coming actor in Hollywood. Steven Spielberg famously wrote a new character into Saving Private…
Many of cinema’s most divisive filmmakers are accused of betraying the story they’re trying to tell by utilizing various stylistic affectations. Of course, this is…