Mad Bills to Pay “The working man is a sucker” — so reads the opening title card of Joel Alfonso Vargas’ debut feature, Mad Bills…
Anora Following Red Rocket in 2021, Anora marks Sean Baker’s second straight feature in competition at Cannes, and this one comes with reports of packed…
Long heralded as the harbinger of snore-inducing boredom, slow cinema, in actuality, is a somewhat paradoxical replica of what film scholar Tom Gunning calls the…