After Midnight is an exercise in indie intentionality, seeking to upend genre convention but mustering only smug banality. Labels are always reductive and usually insulting. They also have the potential to be illustrative, as is the case when I say that the new horror flick…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some DVD bargain bin assuming that those still exist by the time this sentence finishes. In other words, while the title of In Review…
