The past decade suggests an encroaching — or, perhaps at this point, arrived — renaissance in Indigenous art. Regardless of the medium, native voices…
The current American political climate is in a state of such disarray that we have now reached a point where individuals are basing their…
When Jamie Dack’s Palm Trees and Power Lines premiered at last year’s Sundance Film Festival, it was against the backdrop of a roiling and…
It has been a mere two weeks since a bevy of the Hollywood elite, ranging from Cate Blanchett to Gwyneth Paltrow to Edward Norton,…
Soft & Quiet doesn’t know what to do with its thorny subject matter and disturbing imagery, allowing it all to just linger on screen as…
All My Puny Sorrows builds a striking purgatorial atmosphere that transcends any by-the-number grief narrative, but the film is burdened by an unwieldly and overly…
With DASHCAM, Savage threads a tricky needle of Screenlife, first-person POV, and found footage cinema, but if you can vibe with the assemblage, there…
Port Authority boasts a thoughtful, intimate texture, but somewhat betrays its material in its character perspective. Going into Port Authority, two outcomes feel equally…
Black Bear is a challenging diptych study of life and art, and the blurred, impenetrable intersection of the two. In the debate between mimesis and…