Philippe Garrel’s career has certainly taken an odd turn. The director, who first made waves in the experimental Zanzibar Group after Mai ’68, now sits…
Commissioned as part of Nikkatsu’s line of Roman Porno reboots, and adherent to its rules, Sion Sono’s ANTIPORNO is, as its title suggests, a screed…
“YOU NEED TISSUES FOR YOUR ISSUES” reads a woman’s shirt near the start of Akihiko Shiota’s Wet Woman in the Wind, the director’s second film from 2016,…
If there’s one thing The Future Perfect has going for it—perhaps more so than any other film playing ND/NF this year—it’s how its premise builds out of its central…