Antlers is a competently made but shallow horror effort, slathered in trauma-heavy metaphor and a questionable abuse narrative. Writing about new horror movies can sometimes feel…
The French Dispatch is the latest Wes Anderson film to be utterly encumbered by the director’s propeller-beanie twee and flattened storytelling chops. For better or for…
The Eyes of Tammy Faye indulges the very spectacle it supposedly interrogates, betraying its aims and offering only a flattened take on its titular subject. The…
The Night House might only be the latest horror film to supplant subtext with text and dread with loud sounds, but notable for being among the…
Free Guy is the rare tentpole based on an original idea rather than existing IP, and supplements that present-day novelty with a game cast and genuine…
Nomadland’s delicate attention to storytelling tradition unfortunately gives way to conventionality in the film’s back half, displacing its early promise. Having just taken the top…
Iannucci’s latest isn’t quite a natural fit for the director, but he still mostly succeeds by injecting his trademark levity into the spirited core of…