Meghan Remy, mastermind behind the experimental pop project U.S. Girls, has been on a trajectory of constant evolution since she began releasing music under…
Big Thief’s latest is yet another impressively cogent, boundary-shattering work from indie rock’s preeminent musicians. After double-dipping in 2019 with U.F.O.F. and Two Hands,…
sketchy. is a generous, insightful record and a welcome return to the grand balancing act of Tune-Yards’ finest work. The music that Merrill Garbus…
If songs/instrumentals is to mark a pause in Lenker’s prolific output over the past couple years, it’s a fitting and intimate ellipses. After a prolific year…
Miss Anthropocene is the type of pop eccentricity that only an artist like Grimes could conceive of. Not since Bjork’s 1997 watershed Homogenic has a weird pop…
Heavy Light sets the bleak landscape of contemporary society to the sounds of bubblegum pop. Meg Remy understands human struggle. On Heavy Light, the newest…
The National have been making music for about 20 years, and, while their style has developed over those two decades — becoming more ornate,…
From its whispery, ethereal opener, “Contact,” Big Thief’s new album is permeated by an air of otherness. Adrianne Lenker’s voice is an aural phenomenon, Buck…