In this dispatch: Objet a, The House on…
An undeniably audacious film, Ann Oren’s Objet a is also actively irksome. At the risk of coming across as condescending, this is the sort of…
Far too many movies demand far too little from viewers. Maybe they aren’t asking the right questions, or perhaps the questions themselves are just going…
Human Flowers of Flesh Bouncing back from two years worth of Covid-related disruption while still riding out some major switch-ups and art direction, the Locarno…