Despite films such as Exotica, The Adjuster, and The Sweet Hereafter capturing the attention of a global audience in the 1990s, Atom Egoyan has…
In the 1980s, a loose-knit group of Canadian filmmakers began producing and directing independent films that gained national recognition around an aesthetic of kitchen-sink…
Atom Egoyan’s latest is a self-serious dud that finds the director trying and failing to recall his once impressive weighty themes. There’s a certain…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service…
Our fourth dispatch from the 2019 Toronto International Film Festival (here’s our first, our second, and our third) skews heavily Canadian: Atom Egoyan’s latest,…