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Atom Egoyan

by Calum Reed Film

The Captive | Atom Egoyan

No stranger to treating lurid and uninviting subjects in a chilly fashion, Atom Egoyan’s glacial style of filmmaking has always been both a blessing and a curse. While his distant rendering of melancholy in The Sweet Hereafter— regarded by many as his masterpiece — allowed for a…

December 12, 2014
In Review | Online film and music criticism