Just Don’t Think I’ll Scream isn’t the exercise in solipsism or self-serving appropriative art its premise threatens, but its overall effect is one of cautious distance. In 2010, visual artist Christian Marclay premiered a new montage work, titled The Clock, that was 24-hours in length…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some DVD bargain bin assuming that those still exist by the time this sentence finishes. In other words, while the title of In Review…
