The 69th Berlinale ran from February 7 – 17. Our own Joe Biglin was there, and is continuing to file dispatches from the fest (delayed due…
If A City of Sadness represents Taiwanese director Hou Hsiao-hsien’s greatest achievement to date — an assessment that its Venice Golden Lion and long-standing reputation would seem to…
It would be difficult to summarize the aesthetic of M. Night Shyamalan’s work of the past decade in one fell swoop, but there are a number…
“I don’t want to be an example. I just want to be a girl,” says Lara (Victor Polster), the title character of Girl, Lukas Dhont’s highly acclaimed…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
If there is such a thing as the ‘banality of evil,’ surely Ashin Wirathu is a poster boy for it. An unassuming looking man with…
At least for awhile, the new essay film by the pushing-90 French auteur Jean-Luc Godard plays like a liberally abridged version of his magnum opus, Histoire(s) du cinéma. The…
Before Jobe’z World establishes itself as a new, classic New York night movie, it’s already up in the cosmos: the refracted neon twinkle and burbling…
Manolo Caro’s Perfect Strangers asks the question: how much do we really know about our nearest and dearest? Based on Paolo Genovese’s 2016 Italian comedy, this…
Two decades on now and Turkey’s Nuri Bilge Ceylan has become something of a genre unto himself. To those that concern themselves with film festivals and prestigey…
In Dan Sallitt’s new film, focus is put on personal, rather than systemic, emotional responsibility. Fourteen is about an unbalanced friendship, one that might look…
The 69th Berlinale runs from February 7 – 17. Our own Joe Biglin is there, and will be filing dispatches from the fest. The first dispatch includes his…
It is the proclivity of many a film-watcher to make a director’s body of work conform to a linear narrative — and while it isn’t rare that a filmmaker winks at, and…
PJ Harvey had already infiltrated the mainstream by 1995, thanks to two of her early singles (“Sheela Na Gig” and “50ft Queenie”) earning medium rotation on…
As we expressed in our other major 2018 catch-up feature, it’s a fool’s errand to try and cover every worthy release from a particular genre in a given calendar year.…
A few months after the release of her self-titled debut, a then fresh-faced Madonna went on American Bandstand to perform one of her album’s biggest hits:…
In taking on the horrors of Vietnam, Brian De Palma’s Casualties of War may be said to mark a departure for the American director of…
Music to Draw To: Io is an hour-plus of carefully wrought, beat-light technical wizardry; it’s an album devoted to childlike wonder, so much so that it…
As far as contemporary pop stars go, Future was always somehow simultaneously the surest, and the least sure, bet: In the context of current rap, his success makes perfect sense,…
James Blake sings the quiet parts loud; now a decade into his career, his arc is best charted through the evolution, and presentation, of his own introversion. Blake’s…
Before the eye paint, the brain-dead political anthems, and their embrace of radio-friendly sensibilities, Green Day was a raggedy assembled trio of stoner misfits with…