This latest iteration of The Most Dangerous Game is nothing more than a shallow vehicle for bloodshed, and dull to boot. 1932’s The Most Dangerous Game,…
Bullet Train is an wholesale derailment, an inane, ’90s-styled crime caper built on comedy that isn’t funny and action that’s plagued by godawful execution. Early…
Prey doesn’t always hit high action points, but remains rousing late-summer entertainment largely on the strength of its intelligent and formally impressive setting switch-up. Almost exactly…
I Love My Dad employs a risky outsized gambit in telling its tale, but it thankfully registers as darkly hilarious and often poignant. It’s easy to…
An ill-conceived inertia plagues Memory Box, and its magical-sounding title only barely conceals the roteness of its center. In Sophy Romvari’s Still Processing, an intensely personal…
What Josiah Saw exhibits Grashaw’s considerable formal chops, but there’s an inherent silliness pestering its core and its ending undermines some of its power. The past…
Dark Glasses It’s been a rough couple of decades for Dario Argento. Once hailed as the “Master of Horror” for films like Deep Red (1975),…
Marcel the Shell isn’t a perfect film, but in expanding a 2010 Internet gimmick to humorous and heartfelt feature length, it proves surprisingly refined, and a…
There are pockets of interest to be found in Paradise Highway, but its mediocre mashup of genre and weak character work ensure that it never rises…
Manchurian Tiger There’s one very well-executed scene in mainland Chinese indie director Geng Jun’s Manchurian Tiger: Ma Qianli (Jun regular Zhang Zhiyong), a one-time-successful real…
Thirteen Lives delivers an immersive, impressively reconstructed telling the famous Thai cave rescue, but the film sags a bit when it comes to interrogating the seemingly…
Alex’s War is both more and less interesting than knee-jerk reactions would have it, but director Moyer undoubtedly understands that a fascinating subject is the…
It’s the stuff of a million shoddy programmers from Hollywood’s golden age and twice as many cheap exploitation films from the heydays of the ’70s,…
The city of Bristol has a reputation which far proceeds itself. Known as a grungy site of resistance, from the Bristol Bus Boycott of 1963…
With Not Okay, Shephard succeeds at crafting an unlikable female protagonist that feels true to our world and a film unafraid to reflect that world…
Vengeance suggests plenty of potential in its genre-mixing premise, but frustratingly shakes out exactly as you’d expect at every turn. It feels like the idea…
Hansan features plenty rousing naval action, but also drags in its first half and too baldly leans on a propagandist view of history to establish its…
Post Malone Few may have guessed that Austin Richard Post (or, Post Malone, as translated by an Internet rap name generator) would be the enduring…
Inu-Oh Masaaki Yuasa simply can’t be stopped — or at least that’s what it has seemed like for the past two decades, during which the…
Resurrection is a haunting work of psychological brutality, far superior to the metaphor-heavy trauma horror it’s being incorrectly lumped in with. Rebecca Hall has steadily amassed…
Sharp Stick is a more specific work than much of what Denham has produced in the last decade, but it’s hindered by an awkward, shaggy structure…