Browsing Tag

1994

#KickingtheCanon by Luke Gorham Film

Vive L’amour | Tsai Ming-liang

June 10, 2020

In many ways, Tsai Ming-liang’s Vive L’amour follows (or establishes, given its chronological situation within his filmography) many of the director’s most characteristic tendencies. From the outset, wonky angles capture images in slight distortion; primary characters exhaust nearly half of the film’s runtime before any speak to each other, submerged…

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by Luke Gorham Film Retrospective

Vive L’amour | Tsai Ming-liang

In many ways, Tsai Ming-liang’s Vive L’amour follows (or establishes, given its chronological situation within his filmography) many of the director’s most characteristic tendencies. From the outset, wonky angles capture images in slight distortion; primary characters exhaust nearly half of the film’s runtime before…

June 8, 2020
#KickingtheCanon by Ryo Miyauchi Music

Mary J. Blige | My Life

After writing the early blueprint for ’90s R&B, Mary J. Blige laid out her own musical foundations on 1994’s My Life. The influence of hip-hop began to seep into R&B by the end of the ’80s  —  a period that soon saw Bell Biv…

May 12, 2020
#KickingtheCanon by Tanner Stechnij Music

Pavement | Crooked Rain, Crooked Rain

During their ten-year stint as a recording band, Pavement showcased a talent for evolutionary steps with markedly small adjustments. On paper, there are a lot of commonalities between Slanted & Enchanted — their lo-fi, noisy 1992 debut album, plenty canon-worthy in its own right —…

May 1, 2020
#KickingtheCanon by Josh Hurst Music

Johnny Cash | American Recordings

Nobody denies that Johnny Cash was a legend; his mythos looms large in Ken Burns’s Country Music documentary, as good a bellwether as any for how Cash remains one of the genre’s defining personalities. On what foundation does his legacy truly rest, though? For decades, the Man in…

December 11, 2019
#KickingtheCanon by Brendan Nagle Music

Guided By Voices | Bee Thousand

It’s somewhat curious that Guided By Voices has so comfortably settled into its position on the Mount Rushmore of ’90s indie rock. That their brand of junky, compressed pop songs resonated with the slackers in Archers of Loaf T-shirts is hardly a surprise, but…

November 25, 2019
by Sam C. Mac Music Retrospective

Cui Jian | Balls Under the Red Flag

By the mid-1990s, the political ambitions of what is known as the liumang generation — literally, “hooligans” — had devolved from a battle cry into feelings of wounded dejection, crushed under the weight of an intensified Chinese censorship, and the restricted freedoms enforced by…

September 2, 2019
by Paul Attard Film Retrospective

Don’t Be Young | Lou Ye

The literal translation of Don’t Be Young‘s Chinese title, “Wei Qing Shao Nu,“ means “Emotional Young Lady”— and it is, in many ways, a more than appropriate title for Lou Ye’s debut*. But the film’s stateside-given name serves a more theoretical purpose connected to its…

May 14, 2019
#KickingtheCanon by Paul Attard Music

Nas | Illmatic

In 1982, Grandmaster Flash and the Furious Five released what’s largely considered the first ‘conscious’ mainstream rap single, “The Message,” a harrowing seven-minute journey into the hellish existence of project housing and the means one must utilize to escape it. Freedom from this infernal…

April 26, 2019
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