Ho Yuhang, a key filmmaker of the 2000s Malaysian New Wave, previously specialized in beautifully made and deliberately paced art films, ones that often dealt with alienated youth (like Rain Dogs and At the End of Daybreak). Ho’s latest, Mrs. K, represents a fairly…
The 16th annual New York Asian Film Festival recently ended its two-week run. We’ve already published two dispatches from the fest—for our third and final one, we have a few quick-takes on some exciting new Japanese films, including another entry in Nikkatsu’s Roman Porno reboot (Isao Yukisada’s Aroused by Gymnopedies),…
