Mary Oliver: Saved by the Beauty of the World, an entry in the PBS series American Masters directed by Sasha Waters (Gary Winogrand: All Things…
Young Washington, distributed by Angel Studios as part of a slate conspicuously timed for America’s 250th — including the forthcoming Revolutionary War flick Drummer Boy…
In John Carney’s latest work of music-centric cinema, Paul Rudd is Rick Power, frontman for The Bride & Groove, a Dublin-based wedding band. They tear…
Near the end of The Gas Station Attendant, filmmaker Karla Murthy admits that she is “stuck in a time loop” while she sifts through boxes…
For Tim Geraghty and Sarah Halpern, the process of making Monument, a, well, monumental four-and-a-half-hour experimental documentary that’s ostensibly about the diminutive but shockingly consequential…
It’s a marketer’s dream title, isn’t it: The Sheep Detectives. Straight to the point and brain-tickling. Indeed, considering the slick, straight-to-Amazon Prime aesthetic, it wouldn’t…
“From the mind of The RZA” and “presented” by Quentin Tarantino comes One Spoon of Chocolate. In the film, Shameik Moore plays a veteran, washed…
The Super Mario Galaxy movie, a further collaboration between Nintendo and Illumination Studios, after 2023’s The Super Mario Bros. Movie, is bound to be another…
Hoppers, the latest animation project from Pixar/Disney, exceeds according to at least one important metric: it’s a familiar product, offering easily consumable family-fare and realizing…
Luc Besson, famed French director of Léon: The Professional and The Fifth Element, returns from making the relatively obscure June and John (2025) to release…
“What’s a pretty girl like you,” asks Don King, the all-time boxing promoter played by Chad L. Coleman, “doing getting punched in the face?” Christy…
Love+War, the latest project produced by Little Monster Films, helmed by the dynamic documentarian duo of Jimmy Chin and Elizabeth Chair Vasarhelyi (Free Solo), couldn’t…
Justin Lin, once at the helm of the Fast & Furious franchise — including entries four through six, as well as two and nine —…
The only complaint this writer has with Mr. Scorsese, a “film portrait” by Rebecca Miller, is that it is only five hours long. The child…
The terrain of the documentary genre has gradually flattened so that its parts are sometimes indistinguishable. Viewers are dealt an aesthetic continuum that seems increasingly…
“Welcome to the new West,” in which teenage rodeo riders with undercuts listen to cloud rap and horses are sold on TikTok. In East of…
Queen of Bones opens with text evoking silent movie title cards: “folk tales of the great depression.” Whether or not this succeeds in setting us…