A life’s linearity is only a biproduct of meticulously constructed narrative. In hindsight, things seem straightforward: clinging to your older sister’s pantlegs, you survive a…
There’s an overly edited, scored, and produced version of Sam Abbas’ Europe’s New Faces that would have taken the ongoing awards season by storm. Its…
Poverty and opulence, the pastoral and the high-tech, war and peace, childhood and adulthood. Opposite ends of a variety of spectrums meet, and sometimes clash,…
Polish director Agnieszka Holland’s last film, 2023’s Green Border, was a fact-based drama about migrants who were lured to Belarus by false promises of asylum,…
Of film history’s lost White Whales — the complete Magnificent Ambersons, for example, or The Day the Clown Cried — the eventual release of The…
Michael Showalter, in the past decade, has parlayed his success as a comedic writer and performer into a career as a writer-director of audience-pleasing dramedies…
It’s not uncommon for an international film to obtain a different name in English-speaking markets, and that ends up being the case with Little Trouble…
Julia Jackman’s sophomore feature 100 Nights of Hero, adapted from Isabel Greenberg’s graphic novel of the same name, has the shape and tone of a…
Italian filmmaker Paolo Sorrentino is back on terra firma with La Grazia, his second film to premiere in less than 18 months, following on the heels…
A visual motif that reoccurs throughout Rebecca Zlotowski’s latest film, A Private Life, is a spiral staircase. Beyond being chic and Parisian in the way…
“There comes a time when the only way you can make a statement is to pick up a gun.” When Sara Jane Moore attempted and…