The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with a small break in the middle), I’m stepping down as this site’s Editor-in-Chief, to be succeeded by co-founder (and unapologetic…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with a small break in the middle), I’m stepping down as this site’s Editor-in-Chief, to be succeeded by co-founder (and unapologetic…
Over a decade before the Coen Brothers released their neo-noir, blood-soaked vision of Americana, Blood Simple, Terrence Malick’s Badlands etched into the public consciousness a particularly languid flavor of Midwestern cruelty. Loosely based on the true story of Charles Starkweather and Caril Ann Fugate’s…
It’s been a year of confrontation at the movies, as the domestic and international conflicts of the past several years have reached varying degrees of terminus, seemingly (but just as likely not). Battles in the world between tradition and (r)evolution, in all the myriad…
From its title alone, Terrence Malick’s A Hidden Life concerns itself with subjects that cinema often struggles to depict: the twin blossomings of consciousness and conscience. In telling the story of Franz Jägerstätter (August Diehl), an Austrian farmer and conscientious objector during the time of the…
Before We Vanish | December 2019: A Hidden Life, Uncut Gems, Portrait of a Lady on Fire
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some DVD bargain bin assuming that those still exist by the time this sentence finishes. In other words, while the title of In Review…
Toronto International Film Festival 2019 | Dispatch 6: A Hidden Life, Atlantis, Seberg
Our sixth dispatch from the 2019 Toronto International Film Festival (here’s our first, our second, our third, our fourth, our fifth) offers an eclectic mix of takes: Terrence Malick’s return to more pastoral vistas, A Hidden Life; Venice award-winner Atlantis; Ken Loach’s latest social…
The finest films of 2017 simultaneously offered us a respite from, and a deeper reflection on, our fraught and fractured social and political realities. In sharp contrast to our unfortunate tendency to segregate ourselves with social media-fueled enclaves and ecosystems that do little more than…
Deviating from protocol a bit with our timing (we swear we know when the halfway point of the year is), the following list is nonetheless our best approximation of a staff consensus for best films released from January to June of this year. Admittedly, the…
Voyage of Time: Life’s Journey, was always going to be a thing of beauty. In fact, the only visual surprise is just how seamlessly the dazzling CGI blends with Paul Atkins’s nature photography. What is surprising, then, and perhaps a source of the mild…