The only choice to make regarding Choose or Die is to choose not to watch this lazy, unintelligible bit of horror rehash. New Netflix horror flick Choose…
After releasing a trio of mildly successful albums, with even their eponymous third album almost entirely ignored by critics due in no small part to…
You Won’t Be Alone is an emotional and aesthetic masterwork, and a stirring expression of the human condition. Goran Stolevski’s feature-length debut, You Won’t Be Alone,…
Paris, 13th District succeeds in communicating something distinctly, relatably human, even as it falters to present captivating drama. There’s something particularly soul-crushing about being lonely…
Crash isn’t reinventing the dance-music wheel, but it’s still an energetic and enjoyable listen that highlights Charli’s talent for hooky pop. Charli has been at…
How Is It That I Should Look at the Stars is a technically proficient album that offers easy listening but also feels like a postscript…
Crest is a proper Drain Gang victory lap, casting the rappers as dueling new-age pop stars trading verses over expansive, unfixed melodies. If there were…
River Fools & Mountain Saints is a risk-taking record that rewards listeners with one of 2022’s best albums. Kentuckian Ian Noe’s debut album, 2019’s Between the…
With Hygiene, Drug Church has crafted a snappy, sub-30 minute listen that never offends but which also fails to transcend the influences it absorbs. As…
The Northman is a brutal and beautiful bit of mythic spectacle, but can still sometimes feel restrained despite its outsized production. Gather round: it’s time for…
We’re All Going to the World’s Fair is a bold, terrifying portrait of the Internet’s isolation/connection dichotomy. There’s something bracing about encountering a genuine oddity like…
Charli XCX Charli has been at the forefront of pop for nearly a decade, consistently stretching the genre for the casual listener. From the dark…
A deeply spiritual, even existential, odyssey that mingles numerous contradictory forces into a striking whole, The Tale of King Crab is certain to be remembered as…
The Cellar is far too bogged down in the why of its haunted house conceit, deferring thrills in its dull march to an inevitable conclusion. Brendan Muldowney’s The…
Navalny is a valuable film in our age of geopolitical misinformation, but also skews toward hagiography and relies too heavily on an info-dump style format. Presumably…
Aline is an undeniably singular film, but its eccentricities are mostly gloss on an overly-familiar biopic template. The new musical drama Aline is officially described in…
By 2004, a few distinct options were available to veteran country artists. The B- and C-listers could count on regular performance slots at either the…
Poppy Field carries the veneer of importance but isn’t much more than a series of lazy ironies, a shallow character study in need of a character.…
If albums were appraised purely on the merits of generosity, Vince Gill’s These Days would have its name emblazoned in every hall of fame and…
Ambulance is pure action mastery and Michael Bay’s best film in 20 years. Let’s just get this out of the way up front: you’re not likely…
Metal Lords blunders plenty, but its blend of heavy metal and heavy feels makes for an imperfect but heartfelt affair. New Netflix film Metal Lords opens…