The Last Matinee is a modern Giallo effort that fails to reimagine, evolve, or even properly understand the form. The use of movie theaters as a…
“Rock and Roll Band,” the rousing, celebratory track that opens side two of the vinyl LP edition of Boston’s 1976 self-titled debut, spins the tale…
Free Guy is the rare tentpole based on an original idea rather than existing IP, and supplements that present-day novelty with a game cast and genuine…
In the history of metal music, there are perhaps no other records met with as much variance of opinion as Metallica’s 1991 self-titled album, which…
Beckett On paper, Beckett would seem to hold plenty of promise. Directed by Ferdinando Cito Filomarino and produced by his ex, Luca Guadagnino, the film…
Respect is a generic, overlong, unconvincing slog that’s disrespectful to the Queen of Soul’s legacy. When it comes to portraying pop culture icons known by millions…
Beckett rides the talents of its stacked crew to the most generic possible destination. On paper, Beckett would seem to hold plenty of promise. Directed by…
Thrice Upon a Time is yet another bold, challenging, pathos-filled apocalyptic plunge into the human psyche. Hideaki Anno is doing it all over again. No,…
Bull There’s no shortage of revenge pictures out there; at this point, it’s such a well-trod genre that it’s gone through its own classical-to-revisionist-and-back-again cycle.…
The Kid LAROI The story of The Kid LAROI thus far, for those not in the know (which, to be fair, would be the majority…
CODA’s personal storytelling and intelligent subversion of its middlebrow formulae make for a surprisingly affecting viewing experience. The title of Siân Heder’s sophomore feature is…
White As Snow adds a wry wrinkle of feminist reclamation to its classic storyline, but unfortunately fails to successfully execute much else. Like so many other…
Generations isn’t doing anything all that novel for static-shot documentary filmmaking, but as an exercise in how to watch cinema, it’s a plenty worthy effort. Stop me if…
Jerzy Skolimowski had a distinctive output well before he ended up in London. He began his film career in his native Poland with three successive…
Raging Fire When credits roll on Raging Fire they are accompanied by behind-the-scenes footage of Benny Chan at work directing the film. It’s a warm…
Ema is Larrain’s best film yet, a technical marvel and narrative step forward that hopefully anticipates the tenor of his next stretch of work. It hasn’t…
Raging Fire is fairly staid as a cop-film actioner, but it proves that Donnie Yen, even as he approaches 60, can still deliver. When credits roll…
Curiosa is a shallow bit of French period erotica, sometimes visually compelling but devoid of much insight. Loosely conceived and freely adapted from the photographs and…
Junk Head A stop-motion animated epic over seven years in the making, Junk Head is the work of one obsessively dedicated man, Takahide Hori. An…
Bleed With Me is too generic as a familiar, slow-burn mood exercise, but Moses has plenty of technical acumen to recommend keeping an eye on…
The Cloud in Her Room is an one-note exercise in empty style that fails to marry its form and content. Zheng Lu Xinyuan’s The Cloud in…