Browsing Tag

2009

by Daniel Gorman Film Retrospective

Face | Tsai Ming-liang

 It’s perhaps presumptuous, a little reductive even, to speak of an artist’s filmography as movements or periods, particularly when they are still making new, vital work. Still, it’s useful to look at 2009’s Face as both a kind of grand summation of certain formal…

by Connor Murphy Film Retrospective

Madame Butterfly | Tsai Ming-liang

Considering the breadth and consistency of Tsai Ming-liang’s filmography, it’s initially hard to regard the short Madame Butterfly as much more than a curious aberration. The film is a particularly loose adaptation of Puccini’s famous opera, shot digitally and wholly devoid of the director’s…

by Ryan Swen Retrospective

Lost in the Mountains | Hong Sang-soo

Lengthy runtimes have never been totally essential to Hong Sang-soo’s work, but there is a certain quality intrinsic to his approach — how he crafts long, languid scenes that accrue an emotional and comedic power through duration — that seems to benefit from the…

by Paul Attard Retrospective

Like You Know It All | Hong Sang-soo

As with many Hong Sang-soo films, 2009’s Like You Know It All deliberately repeats itself: Goo Kyeong-nam (Kim Tae-woo), an arthouse director, goes on two nearly identical trips — first to Jecheon, as a juror for the local film festival, and later to Jeju, as…

by Kenji Fujishima Retrospective

Night and Day | Hong Sang-soo

Hong Sang-soo’s 2009 film Night and Day marks many firsts for the director, including his first film shot on digital and his first to be filmed outside his native South Korea. At 144 minutes, Night and Day is also Hong’s longest film by a…

In Review | Online film and music criticism