Browsing Tag

Hong Sang-soo

by InRO Staff Feature Articles Film Year in Review

Top 20 Films of 2018

Toxic masculinity had a year; scan the top three titles on this list and you’ll find three films about self-involved men belaboring the value of ‘their art’ — made by three self-involved men belaboring the value of their art. That may seem like a…

December 29, 2018
by Lawrence Garcia Retrospective

Hotel by the River | Hong Sang-soo

Even for a career with no discernable lack of winter pictures (cf. The Day He Arrives, The Day After), Hotel by the River stands out as Hong Sang-soo’s coldest film to date. Set in a curiously unfrequented hotel by the Han River, in the…

October 26, 2018
by Christopher Bourne Retrospective

Grass | Hong Sang-soo

Hong Sang-soo packs a surprising amount of variety, complexity, and beguiling mystery into the 66-minute runtime of Grass. The film provides a brief but dense window of observation — and “observation” is the operative word here, since the central character, Areum (played by Hong’s…

October 26, 2018
by Zach Lewis Retrospective

The Day After | Hong Sang-soo

Hong Sang-soo‘s first black-and-white film since 2011’s The Day He Arrives (which is indeed quite a while, considering the rate at which he works), The Day After comes at a time when Hong’s films have garnered unprecedented levels of attention. Veteran festivalgoers are by…

October 26, 2018
by Sean Gilman Retrospective

Claire’s Camera | Hong Sang-soo

Of the three films Hong Sang-soo made in 2017, with actress and romantic partner Kim Min-hee, two were released in the U.S. in the spring of 2018 — shortly after his latest film, Grass (which also stars Kim), premiered at the Berlin Film Festival.…

October 26, 2018
In Review | Online film and music criticism