There are two — or if someone is feeling incredibly ambitious, 101 — films to review in Thierry Frémaux’s Lumière, Le Cinéma, a cine-documentary exclusively…
Kazuya Shiraishi’s Bushido is a fascinating clash of visual styles and familiar genre tropes rendered fresh via a strange, languid dramaturgy. Kakunoshin Yanagida (Tsuyoshi Kusanagi) is a…
Against the notion of cinematic auteurism, it has sometimes been thought enough to respond that, after all, cinema is a collaborative medium to which certain…
Chaos reigns in Yasuhiro Aoki’s anarchic, wildly imaginative feature directorial debut ChaO, a whirlwind exploration of the breadth of storytelling potential in animated film. Almost…
Why 2025 was a year rich in films with purgatorial motifs — everything from Oliver Laxe’s Sirât to Alex Ullom’s It Ends — is a…
In just a few short years, the resonance of Martin Scorsese’s Killers of the Flower Moon, a film already laced with devastating history and complications,…
From above and behind, we watch a man running through a wintry Central Park, his dark clothing marking him as a silhouette against the snow-frosted…
When is the ideal time to learn your significant other’s most shameful secret? The new comedy The Drama argues the best time is “never” and…
Living in Brazil in a post-Bolsonaro world clearly feels dystopian to director Gabriel Mascaro, who has now made two consecutive films about a near-future where…
I watched two films from IFFR’s 2025 festival: one was The Last Dance, the smash hit Hong Kong family melodrama set in the world of…
The Super Mario Galaxy movie, a further collaboration between Nintendo and Illumination Studios, after 2023’s The Super Mario Bros. Movie, is bound to be another…
Maggie Barrett and Joel Meyerowitz are a fascinating couple, and Jacob Permutter and Manon Ouimet’s new film about their marriage, Two Strangers Trying Not to…
I have one weak spot in my cinephile repertoire: war films. I like to say that I’m curious about any form film can take, and…
“Listen Mr. Mersault, You’re not the first nor last to kill an Arab. You won’t be faulted for that. Trust me, I know the French…
The premise for Forbidden Fruits hints at escalating acts of witchcraft driven by an all-female coven, while marketing materials are quick to push the involvement…
In This Dispatch: Dao, We Are the Fruits…
Where do you go once you’ve reached the top? By 2007, Juliette Binoche was running out of peaks to summit: she’d won international acclaim with…
It’s easy to be lulled by the hum of rolling highways and pleasant conversation; they abound in Sebastian Brameshuber’s new film, London, which follows Bobby…
About a million Russians have left their country since the beginning of the full-scale invasion of Ukraine, fleeing the draft and/or political repercussions for dissent.…
Burak Çevik’s films often use a narrative framework as a jumping-off point for formal experimentation. This is perhaps best seen in his 2019 feature Belonging,…
Amit Dutta’s fluid conception of art forms extends to the way he conceives of artists as well. Not bound by standardized, snobbish definitions that often…