“An ode to cinema” — an audacious claim with which to open one’s feature, but audacity courses through the work of Mosotho filmmaker Lemohang Jeremiah…
Documentarian Poh Si Teng’s directorial debut American Doctor follows three American physicians who traveled to Gaza to practice medicine at Nasser Hospital at various points…
Ambition can be slippery in the hands of the stoner. With her debut feature, The Wrong Girls, Dylan Meyer sets her aspirations at the height…
Alex Cox loves to make movies. He doesn’t get to do that very often these days, but when he does, they’re more likely than not…
Will Poulter’s course has been an unconventional one to follow. Breaking through in the UK when he was still a teen in the sketch show…
Cinema has a unique capacity for depicting time, as we all know. But this plasticity — turning “time” into a physical ribbon of pictures and…
Seeing the new KATSEYE documentary in August of 2026 is a lot like seeing a brand new feature from a recently deceased actor. Between filming…
The decadent luxury and moral rot of extreme wealth; a location as isolated as it is idyllic; lithe young bodies glistening in sunlight; the churning…
A nasty, ruthlessly streamlined throwback to the sleepover staples of the Reagan administration, David Robert Mitchell’s The End of Oak Street (unofficially) brings the curtain…
Marketed as “a Green Day comedy,” Lee Kirk’s newest film, Nimrods, could more fittingly be described as specious or surprisingly inept. Or, it could be…
Dedicating more attention to the practicalities and criminal underbelly of the farm-to-table honey industry than certainly any fiction film before it, Andrew Patterson’s The Rivals…
American independent filmmaker and cinematographer Rob Tregenza broke onto the scene with 1988’s Talking to Strangers, a somewhat Jarmuschian dramedy that was notable for being…