The decade of the Great Depression saw a slump in high-end Western productions. This indigenous genre had been immensely popular with audiences of the two…
The first feature from French-Algerian visual artist Neïl Beloufa is an odd hybrid of comic arthouse thriller and Brechtian installation piece. Set in a shabby 1970s-chic Parisian…
The albums that defined the past year were projects that subverted typical genre norms and traditionalist views, making themselves hard to rigidly categorize in the process.…
Galaxie 500 is often labeled as a “shoegaze” band, which is understandable: their indolent, undeviating style (gently distorted guitars committing to one riff, one obsessive,…
In the early 1980s, as the West was succumbing to the avaricious allure of Reaganism, Taiwan was undergoing a profound, progressive transformation. The country began…
There are a lot of movies released in a year — and that’s even once you cut the crop down to just those that receive…
The central premise of Susanne Bier’s Bird Box sounds like some unholy (and unlikely) mashup of John Krasinski’s A Quiet Place and M. Night Shyamalan’s The Happening, without the stylistic…
The music that Gustav Åhr made as emo-trapper Lil Peep was confessional, misanthropic, self-loathing, bringing fans some solace just by showing them that their pain was…
Despite his sultry, salacious crooning and all that iconic baby-making music (“Let’s get it on / Ah, baby, let’s get it on / Let’s love,…
Toxic masculinity had a year; scan the top three titles on this list and you’ll find three films about self-involved men belaboring the value of…
In an effort to reboot our music coverage, In Review Online has launched monthly features devoted to reviewing new album releases. One such feature is What Would Meek Do?…
Bodied ends with a needle drop: “Hi, My Name Is.” As explicated in our Kicking the Canon piece, Eminem sought to make a villain of himself on…
The first shot is a marvel — a quiet, lovely reverie that ends with a punch to the gut. As a young couple walk hand in…
Imagine a script development meeting where everyone involved in making Aquaman sat down to solve one all-important question: “How do we make Aquaman cool?” Now imagine…
It’s kind of hard to imagine that the multi-billion-dollar Transformers franchise has never previously leaned hard on nostalgia for the beloved ’80s toys and cartoon series…
Tired of superhero origin stories? Spider-Man: Into the Spider-Verse is here to fix that. The film’s nominal hero is Brooklyn teenager Miles Morales (Shameik Moore), who’s…
In an effort to reboot our music coverage, In Review Online has launched some monthly features devoted to reviewing new album releases. One such feature is Foreign Correspondent —…
Though Polychrome is KOAN Sound’s first proper album, it functions more as a career retrospective. The Bristol duo came into their own just over 5…
Alessia Cara is at odds with herself on her sophomore album, The Pains of Growing. Following the meteoric rise of debut single “Here” — a…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had…
Greek director Yorgos Lanthimos has developed quite a novel shtick: He sets up extremely schematic scenarios that force his characters into very bleak decisions as…