A Note on Selection and Organization Criteria
The films in our canon were categorized according to the year of their U.S. theatrical release and the distributor behind it — except in cases where a.) the time between the film’s international release and its U.S. one exceeded five years, or b.) the film never received any U.S. theatrical release. Those films were instead categorized by the year of their earliest, at least semi-verifiable theatrical release (or otherwise first public exhibition, in the absence of any contemporaneous theatrical release, such as was the with Killer of Sheep), and the distributor behind it (if available). This also means that music videos, YouTube content, television series, etc., could be excluded with fair reason — a line had to be drawn somewhere. Generally, films were selected for this canon based on their critical regard, their subject matter, their historical relevance, and/or popularity. As such, not all films in our canon are great, or even necessarily good. They are, however, in our estimation, important: worthy of time from any discerning viewer who seeks to understand and appreciate the medium.
The 2000s
The 1990s
The 1980s
The 1970s
1979
- Apocalypse Now / Francis Ford Coppola (United Artists)
- Manhattan / Woody Allen (United Artists)
- Alien / Ridley Scott (20th Century Fox)
- The Brood / David Cronenberg (New World)
- Dawn of the Dead / George A. Romero (UFDC)
- All that Jazz / Bob Fosse (20th Century Fox)
- Picnic at Hanging Rock / Peter Weir (Atlantic)
- Empire of Passion / Nagisa Ôshima (Barbary Coast)
- The Marriage of Maria Braun / Rainer Werner Fassbinder (United Artists)
- Deewaar / Yash Chopra (Trimurti)
- Nosferatu the Vampyre / Werner Herzog (20th Century Fox)
- The Tree of Wooden Clogs / Ermanno Olmi (New Yorker)
- The Warriors / Walter Hill (Paramount)
- Being There / Hal Ashby (United Artists)
- Life of Brian / Terry Jones (Warner Bros./Orion)
- Chilly Scenes of Winter / Joan Micklin Silver (United Artists)
- The 36th Chamber of Shaolin / Lau Kar-Leung (World Northal)
- ¡Que viva México! / Sergei Eisenstein (IFEX)
- Real Life / Albert Brooks (Paramount)
- Soft Fiction / Chick Strand (N/A)
- La Cage aux Folles / Édouard Molinaro (United Artists)
- Vengeance Is Mine / Shôhei Imamura (Shochiku)
- Queen of the Gypsies / Emil Loteanu (Sovexportfilm)
- Alexandria…Why? / Youssef Chahine (AISR Intl.)
- L’innocente / Luchino Visconti (Analysis)
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1978
- Celine and Julie Go Boating / Jacques Rivette (New Yorker)
- Days of Heaven / Terrence Malick (Paramount)
- The Deer Hunter / Michael Cimino (Universal)
- The Ascent / Larisa Shepitko (Intl. Film Circuit)
- Animal House / John Landis (Universal)
- Halloween / John Carpenter (Compass Intl.)
- Autumn Sonata / Ingmar Bergman (New World)
- Insiang / Lino Brocka (N/A)
- Coup de grâce / Volker Schlöndorff (Cinema 5)
- Girlfriends / Claudia Weill (Warner Bros.)
- Interiors / Woody Allen (United Artists)
- The Fury / Brian De Palma (20th Century Fox)
- The Driver / Walter Hill (20th Century Fox)
- Blue Collar / Paul Schrader (Universal)
- Fingers / James Toback (Brut)
- Martin / George A. Romero (Libra)
- Grease / Randal Kleiser (Paramount)
- Invasion of the Body Snatchers / Philip Kaufman (United Artists)
- Sholay / Ramesh Sippy (B4U)
- The Duellists / Ridley Scott (Paramount)
- An Unmarried Woman / Paul Mazursky (20th Century Fox)
- Superman / Richard Donner (Warner Bros.)
- Drunken Master / Yuen Woo-ping (N/A)
- Remember My Name / Alan Rudolph (Columbia)
- The Girl with the Red Scarf / Atif Yilmaz (N/A)
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1977
- Close Encounters of the Third Kind / Steven Spielberg (Columbia)
- F for Fake / Orson Welles (Specialty)
- Annie Hall / Woody Allen (United Artists)
- Eraserhead / David Lynch (Libra)
- Star Wars / George Lucas (20th Century Fox)
- In the Realm of the Senses / Nagisa Ôshima (Surrogate)
- Salò, or the 120 Days of Sodom / Pier Paolo Pasolini (United Artists)
- That Obscure Object of Desire / Luis Buñuel (First Artists)
- Suspiria / Dario Argento (Intl. Classics)
- House / Nobuhiko Ôbayashi (Tôhô)
- 1900 / Bernardo Bertolucci (Paramount/United Artists)
- The Devil, Probably / Robert Bresson (Gaumont)
- Providence / Alain Resnais (Cinema 5)
- Opening Night / John Cassavetes (Faces)
- Alice in the Cities / Wim Wenders (Bauer Intl.)
- New York, New York / Martin Scorsese (United Artists)
- Padre Padrone / Paolo & Vittorio Taviani (Cinema 5)
- 3 Women / Robert Altman (20th Century Fox)
- Saturday Night Fever / John Badham (Paramount)
- The American Friend / Wim Wenders (New Yorker)
- Rolling Thunder / John Flynn (AIP)
- Sorcerer / William Friedkin (Universal)
- Last Chants for a Slow Dance / Jon Jost (N/A)
- Cria Cuervos / Carlos Saura (Interama)
- Overlord / Stuart Cooper (EMI)
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1976
- Solaris / Andrei Tarkovsky (Magna)
- Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles / Chantal Akerman (Olympic)
- The Spirit of the Beehive / Victor Erice (Janus)
- Taxi Driver / Martin Scorsese (Columbia)
- Rocky / John G. Alvidsen (United Artists)
- Assault on Precinct 13 / John Carpenter (Turtle)
- Edvard Munch / Peter Watkins (New Yorker)
- Mikey and Nicky / Elaine May (Paramount)
- The Killing of a Chinese Bookie / John Cassavetes (Faces)
- Carrie / Brian De Palma (United Artists)
- The Tenant / Roman Polanski (Paramount)
- The Outlaw Josey Wales / Clint Eastwood (Warner Bros.)
- The Marquis of O / Éric Rohmer (New Line Cinema)
- Deep Red / Dario Argento (Howard Mahler)
- Duelle (une quarantaine) / Jacques Rivette (Gaumont)
- The Man Who Fell to Earth / Nicolas Roeg (Cinema 5)
- Harlan County U.S.A. / Barbara Kopple (Cinema 5)
- The Bitter Tears of Petra von Kant / Rainer Werner Fassbinder (Filmverlag)
- A Matter of Time / Vincente Minnelli (AIP)
- Salomé / Teo Hernández (N/A)
- All the President’s Men / Alan J. Pakula (Warner Bros.)
- Touki Bouki / Djibril Diop Mambéty (N/A)
- Seven Beauties / Lina Wertmüller (Cinema 5)
- Noroît / Jacques Rivette (N/A)
- Network / Sidney Lumet (MGM)
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1975
- Nashville / Robert Altman (Paramount)
- The Mirror / Andrei Tarkovsky (ACFK)
- Xala / Ousmane Sembene (New Yorker)
- Barry Lyndon / Stanley Kubrick (Warner Bros.)
- Jaws / Steven Spielberg (Universal)
- Shampoo / Hal Ashby (Columbia)
- The Enigma of Kaspar Hauser / Werner Herzog (New Yorker)
- India Song / Marguerite Duras (Roissy)
- Manila in the Claws of Light / Lino Brocka (N/A)
- Rocky Horror Picture Show / Jim Sharman (20th Century Fox)
- Monty Python & the Holy Grail / Terry Gilliam & Terry Jones (Cinema 5)
- The Passenger / Michelangelo Antonioni (MGM)
- Dog Day Afternoon / Sidney Lumet (Warner Bros.)
- Lancelot of the Lake / Robert Bresson (New Yorker)
- The Travelling Players / Theodoras Angelopoulos (Victor Michaelides)
- Chronicle of the Years of Fire / Mohammed Lakhdar-Hamina (N/A)
- Moses and Aaron / Danièle Huillet, Jean-Marie Straub (New Yorker)
- Brother Can you Spare a Dime / Philippe Mora (Dimension)
- Benilde or the Virgin Mother / Manoel de Oliveira (Filmes Lusomundo)
- One Flew Over the Cuckoo’s Nest / Milos Forman (United Artists)
- Sweet Movie / Dušan Makavejev (Biograph Films)
- Je Tu Il Elle / Chantal Akerman (N/A)
- Adoption / Márta Mészáros (N/A)
- The Magic Flute / Ingmar Bergman (Dandrea Releasing)
- Swept Away / Lina Wertmüller (Cinema 5)
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1974
- Scenes from a Marriage / Ingmar Bergman (Cinema 5)
- Amarcord / Federico Fellini (New World)
- Ali: Fear Eats the Soul / Rainer Werner Fassbinder (New Yorker)
- Chinatown / Roman Polanski (Paramount)
- The Godfather: Part II / Francis Ford Coppola (Paramount)
- A Woman Under the Influence / John Cassavetes (Faces)
- Out 1: Spectre / Jacques Rivette (Sunchild)
- The Texas Chain Saw Massacre / Tobe Hooper (Bryanston)
- The Conversation / Francis Ford Coppola (Paramount)
- The Mother and the Whore / Jean Eustache (New Yorker)
- The Phantom of Liberty / Luis Buñuel (20th Century Fox)
- Femmes femmes / Paul Vecchiali (Luso France)
- Arabian Nights / Pier Paolo Pasolini (United Artists)
- Bring Me the Head of Alfredo Gonzalez / Sam Peckinpah (United Artists)
- Young Frankenstein / Mel Brooks (20th Century Fox)
- Cockfighter / Monte Hellman (New World)
- Phantom of the Paradise / Brian De Palma (20th Century Fox)
- Pastoral: To Die in the Country / Shūji Terayama (ATG)
- The Castle of Purity / Arturo Ripstein (Azteca)
- Black Christmas / Bob Clark (Warner Bros.)
- Film About a Woman Who… / Yvonne Rainer (First Run)
- Lady Snowblood / Toshiya Fujita (Tôhô)
- Reminiscences of a Journey to Lithuania / Jonas Mekas (Film Makers’)
- The Mouth Agape / Maurice Pialat (Les Films de la Boétie)
- The Street Fighter / Shigehiro Ozawa (New Line)
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1973
- Day for Night / François Truffaut (Warner Bros.)
- Badlands / Terrence Malick (Warner Bros.)
- Mean Streets / Martin Scorsese (Warner Bros.)
- The Exorcist / William Friedkin (Warner Bros.)
- Pat Garrett & Billy the Kid / Sam Peckinpah (MGM)
- Don’t Look Now / Nicolas Roeg (Paramount)
- The Holy Mountain / Alejandro Jodorowsky (ABKCO)
- The Last Tango in Paris / Bernardo Bertolucci (United Artists)
- Tout va Bien / Jean-Luc Godard, Jean-Pierre Gorin (New Yorker)
- Ganja & Hess / Bill Gunn (Kelly/Jordan Enterprises)
- The Long Goodbye / Robert Altman (United Artists)
- Paper Moon / Peter Bogdanovich (Paramount)
- Enter the Dragon / Robert Clouse (Warner Bros.)
- The Harder They Come / Perry Henzell (New World)
- American Graffiti / George Lucas (Universal)
- The Friends of Eddie Coyle / Peter Yates (Paramount)
- High Plains Drifter / Clint Eastwood (Universal)
- Battles Without Honor and Humanity / Shinji Fukasaku (Toei)
- Oh, Sun / Med Hondo (New Yorker)
- The Sting / George Roy Hill (Universal)
- Duvidha / Mani Kaul (N/A)
- Charley Varrick / Don Siegel (Universal)
- Fantastic Planet / René Laloux (New World Pictures)
- Red Psalm / Miklós Jancsó (Audio Brandon)
- Horizons / Larry Gottheim (N/A)
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1972
- Aguirre, the Wrath of God / Werner Herzog (Filmverlag)
- The Discreet Charm of the Bourgeoisie / Luis Buñuel (20th Century Fox)
- Cries and Whispers / Ingmar Bergman (New World)
- The Godfather / Francis Ford Coppola (Paramount)
- Cabaret / Bob Fosse (Allied Artists)
- Deliverance / John Boorman (Warner Bros.)
- The Heartbreak Kid / Elaine May (20th Century Fox)
- The Sorrow and the Pity / Marcel Ophüls (Cinema 5)
- Avanti! / Billy Wilder (United Artists)
- Fat City / John Huston (Columbia)
- Chloe in the Afternoon / Éric Rohmer (Columbia)
- Four Nights of a Dreamer / Robert Bresson (New Yorker)
- The Canterbury Tales / Pier Paolo Pasolini (United Artists)
- Blaise Pascal / Roberto Rossellini (N/A)
- Je t’aime, je t’aime / Alain Resnais (New Yorker)
- Ulzana’s Raid / Robert Aldrich (Universal)
- Silent Running / Douglas Trumbull (Universal)
- History Lessons / Danièle Huillet & Jean-Marie Straub (New Yorker)
- A Bay of Blood / Mario Bava (Hallmark)
- The Last House on the Left / Wes Craven (Hallmark Releasing/AIP)
- Super Fly / Gordon Parks Jr. (Warner Bros.)
- Sounder / Martin Ritt (20th Century Fox)
- Winter Soldier / “The Collective” (N/A)
- Cuadecuc, Vampir / Pere Portabella (Ronin Films)
- Intimate Confessions of a Chinese Courtesan / Chor Yuen (Celestial)
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1971
- Walkabout / Nicolas Roeg (20th Century Fox)
- A Clockwork Orange / Stanley Kubrick (Warner Bros.)
- McCabe & Mrs. Miller / Robert Altman (Warner Bros.)
- Harold and Maude / Hal Ashby (Paramount)
- The Conformist / Bernardo Bertolucci (Paramount)
- A Touch of Zen / King Hu (N/A)
- La région centrale / Michael Snow (Canadian Filmmakers’ Distribution)
- Claire’s Knee / Éric Rohmer (Columbia)
- The Last Picture Show / Peter Bogdanovich (Columbia)
- The French Connection / William Friedkin (20th Century Fox)
- Straw Dogs / Sam Peckinpah (Cinerama)
- Klute / Alan J. Pakula (Warner Bros.)
- Willy Wonka and the Chocolate Factory / Mel Stuart (Paramount)
- A New Leaf / Elaine May (Paramount)
- Dirty Harry / Don Siegel (Warner Bros.)
- The Devils / Ken Russell (Warner Bros.)
- Wanda / Barbara Loden (Bardene Intl.)
- From the Notebook of… / Robert Beavers (N/A)
- Two-Lane Blacktop / Monte Hellman (Universal)
- Sweet Sweetback’s Baadasssss Song / Melvin Van Peebles (Cinemation)
- Shaft / Gordon Parks (MGM)
- Death in Venice / Luchino Visconti (Warner Bros.)
- Le boucher / Claude Chabrol (Cinerama)
- S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED / Paul Sharits (Canyon Cinema)
- Deep End / Jerzy Skolimowski (Paramount)
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1970
- Au hasard Balthazar / Robert Bresson (Cinema Ventures)
- My Night at Maud’s / Éric Rohmer (Pathé Contemporary)
- Two or Three Things I Know About Her / Jean-Luc Godard (New Yorker)
- M*A*S*H / Robert Altman (20th Century Fox)
- Patton / Franklin J. Schaffner (20th Century Fox)
- Husbands / John Cassavetes (Columbia)
- Five Easy Pieces / Bob Rafelson (Columbia)
- El Topo / Alejandro Jodorowsky (ABKCO Films)
- Zabriskie Point / Michelangelo Antonioni (MGM)
- Le Cercle Rouge / Jean-Pierre Melville (Les Film Corona)
- Kes / Ken Loach (United Artists) Tristana / Luis Buñuel (Maron)
- Performance / Donald Cammell, Nicolas Roeg (Warner Bros.)
- Gimme Shelter / Albert & David Maysles, Charlotte Zwerin (Cinema 5)
- Hi, Mom! / Brian De Palma (Sigma III)
- Funeral Parade of Roses / Toshio Matsumoto (New Yorker)
- Mera Naam Joker / Raj Kapoor (Yash Raj)
- Cotton Comes to Harlem / Ossie Davis (United Artists)
- The Hart of London / Jack Chambers (Canadian Filmmakers’ Distribution Centre)
- Entranced Earth / Glauber Rocha (New Yorker)
- The Honeymoon Killers / Leonard Kastle (Cinerama)
- Boy / Nagisa Ôshima (Grove Press)
- Woodstock / Michael Wadleigh (Warner Bros.)
- The Taking of Power of Louis XIV / Roberto Rossellini (Brandon)
- Zorns Lemma / Hollis Frampton (N/A)
- The Night of Counting the Years / Shadi Abdel Salam (N/A)
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The 1960s
1969
- The Wild Bunch / Sam Peckinpah (Warner Bros./Seven Arts)
- Once Upon a Time in the West / Sergio Leone (Paramount)
- Pierrot le Fou / Jean-Luc Godard (Pathé Contemporary)
- The Army of Shadows / Jean-Pierre Melville (Valoria)
- Butch Cassidy and the Sundance Kid / George Roy Hill (20th Century Fox)
- Simon of the Desert / Luis Buñuel (Altura Intl.)
- Black Girl / Ousmane Sembene (New Yorker)
- Midnight Cowboy / John Schlesinger (United Artists)
- Easy Rider / Dennis Hopper (Columbia)
- Putney Swope / Robert Downey Sr. (Cinema V)
- The Chronicle of Anna Magdalena Bach / Danièle Huillet, Jean-Marie Straub (New Yorker)
- Teorema / Pier Paolo Pasolini (Continental)
- L’enfance nue / Maurice Pialat (Parafrance)
- High School / Frederick Wiseman (N/A)
- If…. / Lindsay Anderson (‘Paramount)
- Z / Costa-Gavras (Cinema 5)
- The Cow / Dariush Mehrjui (N/A)
- They Shoot Horses, Don’t They? / Sydney Pollack (Cinerama)
- The Damned / Luchino Visconti (Warner Bros./Seven Arts)
- The Color of Pomegranates / Sergei Parajanov (Artkino)
- Medium Cool / Haskell Wexler (Paramount)
- Destroy All Monsters / Ishirô Honda (AIP)
- Not Reconciled / Jean-Marie Straub (New Yorker)
- Tom, Tom, the Piper’s Son / Ken Jacobs (Film-Makers’ Cooperative)
- Stolen Kisses / François Truffaut (Lopert)
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1968
- 2001: A Space Odyssey / Stanley Kubrick (MGM)
- Weekend / Jean-Luc Godard (Grove Press)
- Belle de Jour / Luis Buñuel (Allied Artists)
- Night of the Living Dead / George A. Romero (Continental)
- Rosemary’s Baby / Roman Polanski (Paramount)
- Memories of Underdevelopment / Tomás Gutiérrez Alea (N/A)
- Wavelength / Michael Snow (Canyon)
- The Party / Blake Edwards (United Artists)
- The Producers / Mel Brooks (AVCO Embassy)
- Faces / John Cassavetes (Continental)
- War and Peace / Sergey Bondarchuk (Continental)
- The Young Girls of Rochefort / Jacques Demy (Warner Bros.)
- Flesh / Paul Morrissey (Andy Warhol)
- Symbiopsychotaxiplasm: Take One / William Greaves (N/A)
- Fists in the Pocket / Marco Bellocchio (Peppercorn-Wormser)
- The Boston Strangler / Richard Fleischer (20th Century Fox)
- The Swimmer / Frank Perry (Columbia)
- Diamonds in the Night / Jan Nemec (Impact Films)
- La Chinoise / Jean-Luc Godard (Leacock-Pennebaker)
- Targets / Peter Bogdanovich (Paramount)
- The Firemen’s Ball / Milos Forman (Cinema V)
- Planet of the Apes / Franklin J. Schaffner (20th Century Fox)
- Yellow Submarine / George Dunning (United Artists)
- 23rd Psalm Branch / Stan Brakhage (N/A)
- The Red and the White / Miklós Jancsó (Brandon)
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1967
- The Battle of Algiers / Gillo Pontecorvo (Rizzoli)
- Le Samouraï / Jean-Pierre Melville (S.N. Prodis)
- Playtime / Jacques Tati (N/A)
- Persona / Ingmar Bergman (Lopert)
- Bonnie and Clyde / Arthur Penn (Warner Bros./Seven Arts)
- The Good, the Bad and the Ugly / Sergio Leone (United Artists)
- Dragon Inn / King Hu (Shaw Brothers)
- Titicut Follies / Frederick Wiseman (Zipporah)
- Don’t Look Back / D.A. Pennebaker (Pennebaker)
- El Dorado / Howard Hawks (Paramount)
- Marketa Lazarová / Frantisek Vlácil (N/A)
- The Graduate / Mike Nichols (Embassy)
- Chimes at Midnight / Orson Welles (Peppercorn-Wormser)
- Shadows of Forgotten Ancestors / Sergei Parajanov (Artkino)
- The War Game / Peter Watkins (Pathé Contemporary)
- Portrait of Jason / Shirley Clarke (Filmmakers)
- Point Blank / John Boorman (MGM)
- Branded to Kill / Seijun Suzuki (Nikkatsu)
- Daisies / Vera Chytilová (Sigma III)
- Cool Hand Luke / Stuart Rosenberg (Warner Bros./Seven Arts)
- The Exterminating Angel / Luis Buñuel (Altura)
- The Face of Another / Hiroshi Teshigahara (Tôhô)
- For a Few Dollars More / Sergio Leone (United Artists)
- The Departure / Jerzy Skolimowski (Pathé Contemporary)
- A Countess from Hong Kong / Charlie Chaplin (Universal)
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1966
- Chelsea Girls / Paul Morrissey, Andy Warhol (Filmmakers)
- Andrei Rublev / Andrei Tarkovsky (ACFK)
- Blow-Up / Michelangelo Antonioni (Premier)
- Masculin Féminin / Jean-Luc Godard (Royal Intl.)
- Who’s Afraid of Virginia Woolf? / Mike Nichols (Warner Bros.)
- Gertrud / Carl Theodore Dreyer (Pathé Contemporary)
- The Gospel According to St. Matthew / Pier Paolo Pasolini (Continental)
- Le Deuxieme Souffle / Jean-Pierre Melville (S.N. Prodis)
- 7 Women / John Ford (MGM)
- The Loves of a Blonde / Milos Forman (Prominent)
- Cul-De-Sac / Roman Polanski (Sigma III)
- Le Bonheur / Agnès Varda (Clover)
- Red Beard / Akira Kurosawa (Tôhô)
- Hamlet / Grigori Kozintsev (Columbia)
- Tokyo Olympiad / Kon Ichikawa (Tôhô)
- The Shop on Main Street / Ján Kádar, Elmar Klos (Prominent)
- Sandra / Luchino Visconti (Royal Intl.)
- Seconds / John Frankenheimer (Paramount)
- The Endless Summer / Bruce Brown (Monterey)
- The Naked Prey / Cornel Wilde (Paramount)
- The Sword of Doom / Kihachi Okamoto (Tôhô)
- Come Drink With Me / King Hu (N/A)
- Violence at Noon / Nagisa Ôshima (N/A)
- Judex / Georges Franju (Continental)
- Tokyo Drifter / Seijun Suzuki (Nikkatsu)
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1965
- Repulsion / Roman Polanski (Royal Intl.)
- Faster, Pussycat! Kill! Kill! / Russ Meyer (Eye)
- The Trial of Joan of Arc / Robert Bresson (Pathé Contemporary)
- Alphaville / Jean-Luc Godard (Pathé Contemporary)
- Doctor Zhivago / David Lean (MGM)
- The Sound of Music / Robert Wise (20th Century Fox)
- The Red Desert / Michelangelo Antonioni (Rizzoli)
- Juliet of the Spirits / Federico Fellini (Rizzoli)
- The Spy Who Came in from the Cold / Martin Ritt (Paramount)
- Kwaidan / Masaki Kobayashi (Continental)
- The Knack… and How to Get It / Richard Lester (Lopert)
- The Ipcress File / Sidney J. Furie (Universal)
- The Pawnbroker / Sidney Lumet (Allied Artists)
- In Harm’s Way / Otto Preminger (Paramount)
- The Train / John Frankenheimer (United Artists)
- High Wind in Jamaica / Alexander Mackendrick (20th Century Fox)
- Brainstorm / William Conrad (Warner Bros.)
- Onibaba / Kaneto Shindô (Tôhô)
- The Executioner / Luis García Berlanga (Pathé Contemporary)
- Chronicle of a Summer / Edgar Morin, Jean Rouch (Pathé Contemporary)
- A Married Woman / Jean-Luc Godard (Royal Intl.)
- I Knew Her Well / Antonio Pietrangeli (Medusa)
- Time to Love / Metin Erksan (N/A)
- The Ashes / Andrzej Wajda (N/A)
- Guide / Vijay Anand (N/A)
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1964
- The Umbrellas of Cherbourg / Jacques Demy (Landau)
- Contempt / Jean-Luc Godard (Embassy)
- Dr. Strangelove or: How I Learned to Stop Worrying and … / Stanley Kubrick (Columbia)
- The Servant / Joseph Losey (Landau)
- My Fair Lady / George Cukor (Warner Bros.)
- Le Doulos / Jean-Pierre Melville (Pathé Contemporary)
- Charulata / Satyajit Ray (N/A)
- I Am Cuba / Mikhail Kalatozov (ICAIC)
- An Autumn Afternoon / Yasujirô Ozu (Shochiku)
- Dog Star Man / Stan Brakhage (N/A)
- Marnie / Alfred Hitchcock (Universal)
- A Hard Day’s Night / Richard Lester (United Artists)
- Mary Poppins / Robert Stevenson (Buena Vista)
- The Cool World / Shirley Clarke (Cinema V)
- Le Trou / Jacques Becker (Consort-Orion)
- The Patsy / Jerry Lewis (Paramount)
- Woman in the Dunes / Hiroshi Teshigahara (Pathé Contemporary)
- Harakiri / Masaki Kobayashi (Signal Intl.)
- Intentions of Murder / Shôhei Imamura (Tôhô)
- Yearning / Mikio Naruse (Tôhô)
- Two Stage Sisters / Xie Jin (N/A)
- Black God, White Devil / Glauber Rocha (Copacabana)
- The Naked Kiss / Samuel Fuller (Allied Artists)
- Twice a Man / Gregory J. Markopoulos (Film-Makers’ Cooperative)
- Bay of Angels / Jacques Demy (Pathé Contemporary)
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1963
- 8½ / Federico Fellini (Embassy)
- Pickpocket / Robert Bresson (New Yorker)
- High and Low / Akira Kurosawa (Continental)
- Ivan’s Childhood / Andrei Tarkovsky (Shore Intl.)
- The Birds / Alfred Hitchcock (Universal)
- The Leopard / Luchino Visconti (20th Century Fox)
- Shock Corridor / Samuel Fuller (Allied Artists)
- Winter Light / Ingmar Bergman (Janus)
- Sanjuro / Akira Kurosawa (Tôhô)
- When a Woman Ascends the Stairs / Mikio Naruse (Tôhô)
- Vivre Sa Vie / Jean-Luc Godard (Union)
- The Music Room / Satyajit Ray (Edward Harrison)
- Il Posto / Ermanno Olmi (Janus)
- The Knife in the Water / Roman Polanski (Kanawha)
- The Great Escape / John Sturges (United Artists)
- The Haunting / Robert Wise (MGM)
- Charade / Stanley Donen (Universal)
- The Trial / Orson Welles (Astor)
- Muriel, or the Time of Return / Alain Resnais (Lopert)
- The Nutty Professor / Jerry Lewis (Paramount)
- Pigs and Battleships / Shôhei Imamura (European Producers Intl.)
- Flaming Creatures / Jack Smith (N/A)
- Youth of the Beast / Seijun Suzuki (Nikkatsu)
- Dr. No / Terence Young (United Artists)
- Night Tide / Curtis Harrington (AIP)
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1962
- Viridiana / Luis Bunuel (Kingsley-Intl.)
- Eyes Without a Face / Georges Franju (Lopert)
- Last Year at Marienbad / Alain Resnais (Astor)
- Peeping Tom / Michael Powell (Astor)
- Lawrence of Arabia / David Lean (Columbia)
- Cleo from 5 to 7 / Agnès Varda (Zenith Intl.)
- Jules and Jim / François Truffaut (Janus)
- L’Eclisse / Michelangelo Antonioni (Times)
- Through a Glass Darkly / Ingmar Bergman (Janus)
- The Manchurian Candidate / John Frankenheimer (United Artists)
- Two Weeks in Another Town / Vincente Minnelli (MGM)
- Good Morning / Yasujirô Ozu (N/A)
- Lolita / Stanley Kubrick (MGM)
- The Man Who Shot Liberty Valance / John Ford (Paramount)
- Hatari! / Howard Hawks (Paramount)
- Advise and Consent / Otto Preminger (Columbia)
- The Tale of Zatoichi / Kenji Misumi (Daiei)
- Knights of the Teutonic Order / Aleksander Ford (Amerpol)
- Lola / Jacques Demy (Around the World)
- Long Day’s Journey Into Night / Sidney Lumet (Embassy)
- Carnival of Souls / Herk Harvey (Herts-Lion Intl.)
- The Connection / Shirley Clarke (Around the World)
- Heaven and Earth Magic / Harry Smith (Film-Makers’ Cooperative)
- Testament of Orpheus / Jean Cocteau (Around the World)
- The Iron Gate / Youssef Chahine (N/A)
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1961
- Breathless / Jean-Luc Godard (Around the World)
- L’Avventura / Michelangelo Antonioni (Janus)
- La Dolce Vita / Federico Fellini (Astor)
- The Innocents / Jack Clayton (20th Century Fox)
- West Side Story / Jerome Robbins & Robert Wise (United Artists)
- Breakfast at Tiffany’s / Blake Edwards (Paramount)
- Yôjimbô / Akira Kurosawa (Seneca)
- Accattone / Pier Paolo Pasolini (N/A)
- The Young One / Luis Buñuel (Valiant)
- Elevator to the Gallows / Louis Malle (Janus)
- Rocco and His Brothers / Luchino Visconti (Astor)
- Purple Noon / René Clément (Times)
- The Hustler / Robert Rossen (20th Century Fox)
- Underworld U.S.A. / Samuel Fuller (Columbia)
- The Red Detachment of Women / Xie Jin (N/A)
- Blast of Silence / Allen Baron (Universal)
- Saturday Night and Sunday Morning / Karel Reisz (Continental)
- A Raisin in the Sun / Daniel Petrie (Columbia)
- The Ladies Man / Jerry Lewis (Paramount)
- Cruel Story of Youth / Nagisa Ôshima (Shochiku)
- Black Sunday / Mario Bava (AIP)
- Ashes and Diamonds / Andrzej Wajda (Janus)
- Léon Morin, Priest / Jean-Pierre Melville (Lux Compagnie)
- Invention for Destruction / Karel Zeman (Warner Bros.w)
- The Ballad of Narayama / Keisuke Kinoshita (Around the World)
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1960
- Psycho / Alfred Hitchcock (Paramount)
- The Apartment / Billy Wilder (United Artists)
- Hiroshima Mon Amour / Alain Resnais (Zenith Intl.)
- The Hidden Fortress / Akira Kurosawa (Albex)
- Spartacus / Stanley Kubrick (Universal)
- The World of Apu / Satyajit Ray (Edward Harrison)
- The Virgin Spring / Ingmar Bergman (Janus)
- The Cranes Are Flying / Mikhail Kalatozov (Warner Bros.)
- The Cloud-Capped Star / Ritwik Ghatak (N/A)
- Les bonnes femmes / Claude Chabrol (N/A)
- The Housemaid / Kim Ki-young (N/A)
- Ballad of a Soldier / Grigory Chukhray (Kingsley-Intl.)
- Sergeant Rutledge / John Ford (Warner Bros.)
- Inherit the Wind / Stanley Kramer (United Artists)
- The Magnificent Seven / John Sturges (United Artists)
- Comanche Station / Budd Boetticher (Columbia)
- Wild River / Elia Kazan (20th Century Fox)
- Late Autumn / Yasujirô Ozu (Shôchiku)
- The Sun’s Burial / Nagisa Ôshima (Shôchiku)
- General Della Rovere / Roberto Rossellini (Continental)
- House of Usher / Roger Corman (AIP)
- The Tiger of Eschnapur / Fritz Lang (AIP)
- The Warped Ones / Koreyoshi Kurahara (Nikkatsu)
- The Rickshaw Man / Hiroshi Inagaki (Cory)
- The Wild, Wild Rose / Tian-Lin Wang (N/A)
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The 1950s
1959
- The 400 Blows / Francois Truffaut (Zenith)
- Wild Strawberries / Ingmar Bergman (Janus)
- Rio Bravo / Howard Hawks (Warner Bros.)
- North by Northwest / Alfred Hitchcock (MGM)
- Ben-Hur / William Wyler (Loew’s)
- Black Orpheus / Marcel Camus (Lopert)
- Imitation of Life / Douglas Sirk (Universal)
- Floating Weeds / Yasujiro Ozu (Daiei)
- Some Like It Hot / Billy Wilder (United Artists)
- The Human Condition I: No Greater Love / Masaki Kobayashi (Brandon Films)
- Ivan the Terrible, Part II / Sergei Eisenstein (Janus)
- Plan 9 from Outer Space / Ed Wood (Valiant)
- Le Beau Serge / Claude Chabrol (United Motion Pictures Organization)
- Aparajito / Satyajit Ray (Edward Harrison)
- Street of Shame / Kenji Mizoguchi (Edward Harrison)
- Anatomy of a Murder / Otto Preminger (Columbia)
- Kagaaz Ke Phool / Guru Dutt (Ajanta)
- Touchez Pas au Grisbi / Jacques Becker (United Motion Pictures Organization)
- Day of the Outlaw / Andre de Toth (United Artists)
- Shadows / John Cassavetes (British Lion)
- Araya / Margot Benacerraf (Caroni Films)
- Pillow Talk / Michael Gordon (Universal)
- House on Haunted Hill / William Castle (Allied Artists)
- Sleeping Beauty / Clyde Geronimi & Various Directors (Buena Vista)
- The World, the Flesh, and the Devil / Ranald MacDougall (MGM)
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1958
- Vertigo / Alfred Hitchcock (Paramount)
- Pather Panchali / Satyajit Ray (Edward Harrison)
- The Seventh Seal / Ingmar Bergman (Janus)
- I, a Negro / Jean Rouch (Films du Jeudi)
- Touch of Evil / Orson Welles (Universal International)
- Mon Oncle / Jacques Tati (Continental)
- Some Came Running / Vincente Minnelli (MGM)
- Man of the West / Anthony Mann (United Artists)
- Giants and Toys / Yasuzo Masumura (Daiei Studios)
- Anticipation of the Night / Stan Brakhage (Film-Makers’ Cooperative)
- Equinox Flower / Yasujiro Ozu (Shochiku)
- Curse of the Demon / Jacques Tourneur (Columbia)
- A Night to Remember / Roy Ward Baker (Rank)
- Cat on a Hot Tin Roof / Richard Brooks (MGM)
- Death of a Cyclist / Juan Antonio Bardem (Janus)
- Bonjour Tristesse / Otto Preminger (Columbia)
- Bell, Book, and Candle / Richard Quine (Columbia)
- Buchanan Rides Alone / Budd Boetticher (Columbia)
- Gunman’s Walk / Phil Karlson (Columbia)
- A Flower in Hell / Shin Sang-ok (Seoul Films)
- Big Deal on Madonna Street / Mario Monicelli (Lux)
- Bitter Victory / Nicholas Ray (Columbia)
- The Last Day of Summer / Tadeusz Konwicki (KADR)
- The Lineup / Don Siegel (Columbia)
- Letter from Siberia / Chris Marker (?)
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1957
- Ordet / Carl Theodor Dreyer (Kingsley-International)
- 12 Angry Men / Sidney Lumet (United Artists)
- A Man Escaped / Robert Bresson (Continental)
- Paths of Glory / Stanley Kubrick (United Artists)
- A Bridge on the River Kwai / David Lean (Columbia)
- Pyaasa / Guru Dutt (Guru Dutt Films Ltd.)
- Sweet Smell of Success / Alexander Mackendrick (United Artists)
- The Tall T / Budd Boetticher (Columbia)
- Nights of Cabiria / Federico Fellini (Lopert)
- A Face in the Crowd / Elia Kazan (Warner Bros.)
- Mother India / Mehboob Khan (Mehboob Productions)
- 3:10 to Yuma / Delmer Daves (Columbia)
- A Sun-Tribe Myth from the Bakumatsu Era / Yuzo Kawashima (Nikkatsu)
- A King in New York / Charlie Chaplin (Archway)
- Tokyo Twilight / Yasujiro Ozu (Shochiku)
- The Incredible Shrinking Man / Jack Arnold (Universal)
- The Blue Sky Maiden / Yasuzo Masumura (Daiei Studios)
- The Tarnished Angels / Douglas Sirk (Universal)
- Will Success Spoil Rock Hunter? / Frank Tashlin (20th Century Fox)
- Jailhouse Rock / Richard Thorpe (MGM)
- Smiles of a Summer Night / Ingmar Bergman (Rank Film Distributors of America)
- The White Reindeer / Erik Blomberg (Coronet)
- Forty Guns / Samuel Fuller (20th Century Fox)
- On the Bowery / Lionel Rogosin (Film Representations, Inc.)
- The Curse of Frankenstein / Terence Fisher (Warner Bros.)
|
1956
- Seven Samurai / Akira Kurosawa (Columbia)
- The Searchers / John Ford (Warner Bros.)
- Early Spring / Yasujiro Ozu (Shochiku)
- Rififi / Jules Dassin (United Motion Picture Organization)
- Invasion of the Body Snatchers / Don Siegel (Allied Artists)
- Ikiru / Akira Kurosawa (Brandon)
- Awaara / Raj Kapoor (J. H. Hoffberg)
- Crazed Fruit / Ko Nakahira (Topaz)
- Tea and Sympathy / Vincente Minnelli (MGM)
- Written on the Wind / Douglas Sirk (Universal)
- French Cancan / Jean Renoir (United Motion Pictures Organization)
- The Burmese Harp / Kon Ichikawa (Nikkatsu)
- Bigger Than Life / Nicholas Ray (20th Century Fox)
- Forbidden Planet / Jean Renoir (MGM)
- La Strada / Federico Fellini (Trans Lux)
- The Killing / Stanley Kubrick (United Artists)
- Flowing / Mikio Naruse (Toho)
- The Ogre of Athens / Nikos Koundouros (Athens Film Company)
- Sawdust and Tinsel / Ingmar Bergman (Times)
- Seven Men from Now / Budd Boetticher (Warner Bros.)
- Princess Yang Kwei Fei / Kenji Mizoguchi (Buena Vista)
- Death in the Garden / Luis Bunuel (Cinedis)
- La Point-Courte / Agnes Varda (Cine-Tamaris)
- The Ten Commandments / Cecil B. DeMille (Paramount)
- The Silent World / Louis Malle & Jacques-Yves Cousteau (Columbia)
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1955
- The Wages of Fear / Henri-Georges Clouzot (DCA)
- Sansho the Bailiff / Kenji Mizoguchi (Daiei)
- All that Heaven Allows / Douglas Sirk (Universal)
- Umberto D / Vittorio De Sica (Joseph Burstyn)
- Night of the Hunter / Charles Laughton (United Artists)
- Journey to Italy / Roberto Rossellini (Fine Arts)
- Floating Clouds / Mikio Naruse (Toho)
- Kiss Me Deadly / Robert Aldrich (United Artists)
- Lola Montes / Max Ophuls (Gamma)
- Rebel Without a Cause / Nicholas Ray (Warner Bros.)
- El / Luis Bunuel (Omnifilms)
- Diabolique / Henri-Georges Clouzot (United Motion Picture Organization)
- Artists and Models / Frank Tashlin (Paramount)
- Mr. Arkadin / Orson Welles (Chamartin)
- Senso / Luchino Visconti (Lux)
- The Man from Laramie / Anthony Mann (Columbia)
- The Long Gray Line / John Ford (Columbia)
- Samurai I: Musashi Miyamoto / Hiroshi Inagaki (Fine Arts)
- Le Amiche / Michelangelo Antonioni (Titanus)
- Bad Day at Black Rock / John Sturges (MGM)
- Tennessee’s Partner / Allan Dwan (RKO)
- Othello / Orson Welles (United Artists)
- Moonfleet / Fritz Lang (MGM)
- It’s Always Fair Weather / Stanley Donen (MGM)
- The Phenix City Story / Phil Karlson (Allied Artists)
|
1954
- The Earrings of Madame de… / Max Ophuls (Arlan)
- Rear Window / Alfred Hitchcock (Paramount)
- Ugetsu / Kenji Mizoguchi (Daiei)
- Diary of a Country Priest / Robert Bresson (Brandon)
- Godzilla / Ishiro Honda (Toho)
- Johnny Guitar / Nicholas Ray (Republic)
- On the Waterfront / Elia Kazan (Columbia)
- A Star is Born / George Cukor (Warner Bros.)
- La Ronde / Max Ophuls (Commercial)
- Late Chrysanthemums / Mikio Naruse (Toho)
- Anatahan / Josef von Sternberg (Arias)
- The Crucified Lovers / Kenji Mizoguchi (Daiei)
- Le Plaisir / Max Ophuls (Arthur Mayer-Edward Kingsley)
- Monsieur Hulot’s Holiday / Jacques Tati (GBD International)
- Twenty-four Eyes / Keisuke Kinoshita (Shochiku)
- Magnificent Obsession / Douglas Sirk (Universal)
- Europa ’51 / Roberto Rossellini (I.F.E.)
- Riot in Cell Block 11 / Don Siegel (Allied Artists)
- Gate of Hell / Teinosuki Kinugasa (Edward Harrison)
- The Golden Coach / Jean Renoir (I.F.E.)
- Creature from the Black Lagoon / Jack Arnold (Universal)
- Dial M for Murder / Alfred Hitchcock (Warner Brothers)
- Salt of the Earth / Herbert J. Biberman (Independent)
- Silver Lode / Allan Dwan (RKO)
- Drive a Crooked Road / Richard Quine (Columbia)
|
1953
- Tokyo Story / Yasujiro Ozu (Shochiku)
- The Big Heat / Fritz Lang (Columbia)
- The Bigamist / Ida Lupino (Filmakers Releasing Organization)
- Pickup on South Street / Samuel Fuller (20th Century Fox)
- The Band Wagon / Vincent Minnelli (MGM)
- The Naked Spur / Anthony Mann (MGM)
- Roman Holiday / William Wyler (Paramount)
- The 5,000 Fingers of Dr. T / Roy Rowland (Columbia)
- Gentlemen Prefer Blondes / Howard Hawks (20th Century Fox)
- Angel Face / Otto Preminger (RKO)
- Shane / George Stevens (Paramount)
- From Here to Eternity / Fred Zinnemann (Columbia)
- Little Fugitive / Ray Ashley, Morris Engel, and Ruth Orkin (Joseph Burstyn)
- The Hitch-Hiker / Ida Lupino (RKO)
- The Sun Shines Bright / John Ford (Republic)
- It Came from Outer Space / Jack Arnold (Universal)
- A Geisha / Kenji Mizoguchi (Daiei)
- The War of the Worlds / Byron Haskin (Paramount)
- House of Wax / Andre de Toth (Warner Bros.)
- Rue de l’Estrapade / Jacques Becker (Cinedis)
- The Black Vampire / Roman Vinaly Barreto (Argentina Sono)
- Beat the Devil / John Huston (United Artists)
- Love Letter / Kinuyo Tanaka (Shintoho)
- Welcome, Mr. Marshall / Luis Garcia Berlanga (Mercurio)
- All My Babies: A Midwife’s Own Story / George C. Stoney (Georgia Department of Public Health)
|
1952
- Singin’ in the Rain / Stanley Donen & Gene Kelly (Loew’s)
- Limelight / Charles Chaplin (United Artists)
- The Life of Oharu / Kenji Mizoguchi (Toho)
- The Flowers of St. Francis / Roberto Rossellini (Joseph Burstyn)
- The Quiet Man / John Ford (Republic)
- The Lusty Men / Nicholas Ray (RKO)
- The Bad and the Beautiful / Vincent Minnelli (MGM)
- Les Enfants Terrible / Jean-Pierre Melville (Arthur Mayer-Edward Kingsley)
- Clash by Night / Fritz Lang (RKO)
- High Noon / Fred Zinnemann (United Artists)
- The Young and the Damned / Luis Bunuel (Azteca)
- Children of Hiroshima / Kaneto Shindo (Hokusei)
- Jour de Fete / Jacques Tati (Arthur Mayer-Edward Kingsley)
- Forbidden Games / Rene Clement (Times)
- The Small Back Room / Emeric Pressburger and Michael Powell (Snader)
- The Big Sky / Howard Hawks (RKO)
- The Flavor of Green Tea Over Rice / Yasujiro Ozu (Shochiku)
- Casque d’Or / Jacques Becker (DisCina)
- The Man in the White Suit / Alexander Mackendrick (Universal)
- Monkey Business / Howard Hawks (20th Century Fox)
- Ruby Gentry / King Vidor (20th Century Fox)
- Wait Till the Sun Shines, Nellie / Henry King (20th Century Fox)
- Miss Julie / Alf Sjoberg (Trans Global)
- My Son John / Leo McCarey (Paramount)
- The Narrow Margin / Richard Fleischer (RKO)
|
1951
- The Steel Helmet / Samuel Fuller (Lippert)
- Rashomon / Akira Kurosawa (RKO)
- A Streetcar Named Desire / Elia Kazan (Warner Bros.)
- The Tales of Hoffman / Emeric Pressburger and Michael Powell (Lopert)
- The Day the Earth Stood Still / Robert Wise (20the Century Fox)
- Strangers on a Train / Alfred Hitchcock (Warner Bros.)
- Ace in the Hole / Billy Wilder (Paramount)
- The Thing from Another World / Christian Nyby and Howard Hawks (RKO)
- The River / Jean Renoir (United Artists)
- On Dangerous Ground / Nicholas Ray & Ida Lupino (RKO)
- Early Summer / Yasujiro Ozu (Shochiku)
- Miracle in Milan / Vittorio De Sica (Joseph Burstyn)
- The Prowler / Joseph Losey (United Artists)
- Venom and Eternity / Isidore Isou (Films M.-G. Guillemin)
- The African Queen / John Huston (United Artists)
- The Lavender Hill Mob / Charles Crichton (Universal)
- Pandora and the Flying Dutchman / Albert Lewin (MGM)
- Repast / Mikio Naruse (Toho)
- An American in Paris / Vincent Minnelli (MGM)
- The Browning Version / Anthony Asquith (Universal)
- Aventurera / Alberto Gout (Azteca Films)
- Alice in Wonderland / Clyde Geronimi & Various Directors (RKO)
- Poison / Sacha Guitry (Gaumont)
- A Place in the Sun / George Stevens (Paramount)
- He Ran All the Way / John Berry (United Artists)
|
1950
- Orpheus / Jean Cocteau (DisCina)
- Sunset Boulevard / Billy Wilder (Paramount)
- Night and the City / Jules Dassin (20th Century Fox)
- Stromboli / Roberto Rossellini (RKO)
- All About Eve / Joseph L. Mankiewicz (20th Century Fox)
- In a Lonely Place / Nicholas Ray (Columbia)
- Winchester ‘73 / Anthony Mann (Universal)
- Cinderella / Clyde Geronimi & Various Directors (RKO)
- A Day in the Country / Jean Renoir (Joseph Burstyn)
- Rio Grande / John Ford (Republic)
- Kind Hearts and Coronets / Robert Hamer (Eagle-Lion FIlms)
- Bitter Rice / Giuseppe De Santis (Lux)
- The Asphalt Jungle / John Huston (Loew’s)
- Stars in My Crown / Jacques Tourneur (MGM)
- Gun Crazy / Joseph H. Lewis (United Artists)
- Wagon Master / John Ford (RKO)
- The Furies / Anthony Mann (Paramount)
- The Baron of Arizona / Samuel Fuller (Lippert)
- Girl with Hyacinths / Hasse Ekman (Terrafilm)
- Outrage / Ida Lupino (RKO)
- No Way Out / Joseph L. Mankiewicz (20th Century Fox)
- Panic in the Streets / Elia Kazan (20th Century Fox)
- Born Yesterday / George Cukor (Columbia)
- Where the Sidewalk Ends / Otto Preminger (20th Century Fox)
- The White-Haired Girl / Bin Wang and Choui Khoua (Changchun)
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