In retrospect, it almost seems odd that Christian Petzold’s international breakthrough effectively came with Barbara. Though it was his first period film, dealing with a readily identifiable hook — the eponymous doctor (Nina Hoss) wants to escape 1980s East Germany — its actual progression,…
In 2013, around the time that Stray Dogs had its world premiere at the Venice Film Festival, Tsai Ming-liang announced his retirement from filmmaking. In the seven years since, he’s shown himself to be a rather active retiree, signing his name to no fewer…
Ever since his 2003 debut, House of 1000 Corpses, Rob Zombie has used cinema to engage the paradox of counter-cultural extremity and populism. Raised as a child of the seventies – who saw violent episodes unfold in his family’s travelling carnival – Zombie built…
It often seems like we’ve let Lana Del Rey down at every turn. But she’s always been patient enough to wait for us to come around to her side of things — and kind enough to not hold a grudge against those who don’t…
Despite Lou Ye’s reputation for pushing the boundaries of Chinese censorship guidelines – due to his often frank and incisive takes on politics, gender, and sexuality – Mystery proves a confoundingly tame affair. It opens with the antics of privileged, hedonistic youths racing cars…
The recently released High Life is perhaps the first film by septuagenarian Claire Denis with a plot fit for an elevator pitch: “Robert Pattinson fucks in space.” Of course, one doesn’t watch Denis’s sensuous, involuted films for their plots, which tend to be shattered…
In Another Country signals something of a shift in the approach of Hong Sang-soo’s films, one in which the director’s generally economically modest production methods begin to become more consistently transnational. The film centers on a woman played by French actress Isabelle Huppert, who…
Hong Sang-soo’s monochromatic, soju-soaked, metaphysical odyssey, The Day He Arrives, explores the question of whether or not one can ever really escape the past, but as considered through the filter of Hong’s signature narrative tropes. Over the course of a three-day visit to Seoul,…
“Things repeat themselves with differences I can’t understand,” proclaims Oki (Jung Yu-mi), the director of the fourth, and final, film-within-the-film that comprises Hong Sang-soo’s 2012 feature Oki’s Movie. She has attempted to compare and contrast two relationships that she had — one with a…
#32: Beyond the Masked Tortilla: Musicians Making Movies Download episode here. Episode Description: “This is where we came in…” Like guilty men returning to the scene of a crime, Simon and Steve decide to revisit an idea they’ve had before — in fact, the idea behind the very…
