It was in December 1923, only months after military dictator Miguel Primo de Rivera had seized power amidst the ongoing systemic crisis of Spain’s Restoration…
Seemingly participating in a new trend of grandiloquent, marquee-busting film titles that includes the Mosotho drama Mother, I Am Suffocating. This is My Last Film…
Perhaps more than any other contemporary director apart from Alain Guiraudie, French filmmaker Pierre Creton is committed to exploring eros as a philosophical proposition, the…
Where experimental film is concerned, that subsection we call “structural film” is characterized by a radical transparency. This may seem like an odd claim to…
More than a decade after his first feature, For the Plasma (2014), Bingham Bryant revisits his fascination with images, interpretation, and, crucially, the ways images…
Given that present-day existence has been thrown into disarray by — in roughly chronological order — the smartphone, COVID-19, and the resurgence of fascism, how…
“I have to find a way.” This opening voiceover, soothing yet fraught with anxiety, doesn’t initially sound ironic. It sounds sincere, and fitting, as the…
Shireen Seno’s short film you dreamt you saw yourself but couldn’t see your face begins with a small video image situated in the center of…
A longtime favorite filmmaker at InRO, this writer had only seen one work by Nicolás Pereda, Minotaur (2015) — a surreal exploration of stasis and…
Like few other working filmmakers, Ted Fendt has created for himself a functioning cinematic universe, full of characters seeking creative and intellectual stimulation and answers…
At 87 minutes, Jean-Claude Rousseau’s Last Stop for the Circular Ticket is the longest film he’s made since his 1995 masterpiece The Enclosed Valley, but…