Imagine operating on near-dying people every day in the most horrific conditions. Droves of broken bodies arriving at your hospital after mass bombings of civilian…
Sometimes you just need to get a little stupid with it. That’s not an insult; it’s a label writer/director Dylan Meyer wears proudly on her…
A few years ago while re-watching Jean-Luc Godard’s Histoire(s) du Cinéma, I was taken aback when 2a: Only Cinema ended with a durational shot of…
Flitting across genres from musical to beekeeping drama to heist movie to revenge thriller, yet rooted in the culture, ways of life, and eccentricities of…
In 1970, Robb Moss took a semester off from Berkeley and started wandering to wherever he could crash, first out to a friend’s farm in…
Kent Jones has long been one of cinema’s greatest thinkers, so to simply refer to him as a director seems a gross oversimplification for what…
In an era of Hong Kong cinema often defined by masculine action films, Stanley Kwan’s filmography stands out. With films like Rouge, Center Stage, and…
Back when labels were willing to spend on them, music videos served as a legitimate pipeline for visual artists, places for them to cut their…
30 years ago, Ngozi Onwurah made history by becoming the first Black female filmmaker in Britain to have a film released theatrically. As she’ll tell…
Descriptors like “off-kilter” evoke something crooked, unbalanced, slanted, strange. These words are all, more or less, synonymous with the original meaning of the term “queer.”…
Sometimes all you want out of a movie is a really, really huge guy tearing smaller guys apart with his bare hands. Alan Ritchson has…
There isn’t a filmmaker out there quite like Danielle Arbid. The French-Lebanese director has crafted films about war, family, isolation, and the perils of love…
A deadly heatwave stretches across Paris; on TV, civilians in the West Bank and Beirut speak out against fatal Israeli bombings; and an aging gay…
For Steven Spielberg, the cinema is a rebuilding, again and again, of the childhood bedroom. There is some portion of prelapsarian bliss involved: a desperate,…
When you first see Flaco, the Eurasian eagle-owl that became a local New York City legend, appear on a hotel sidewalk, you immediately comprehend his…
Three years ago, I wrote an essay arguing Allen Fong’s Ah Ying (1983) paints a more realistic picture of 1980s Hong Kong than Wong Kar-wai’s…
Nicolas Winding Refn resists containment. His earliest films (the Pusher [1996-2005] trilogy and Bleeder [1999]) channel a forceful neo-realist intensity, while his subsequent works venture…
Through a career of empathetic, patient character studies, Japanese master Hirokazu Kore-eda has developed many running fascinations. Gaps in families, how we fill those, and…
Premiering all the way back during 2024’s festival season, Lorena Alvarado’s Lost Chapters has been a film I’d been looking forward to for quite some…
The castles of Ludwig II seem to resound with that Wagnerian mystery: here time becomes space. They seem to distend from some turreted past; a…
Ross McElwee is no stranger to candor in its most pure and intimate form. Decade after decade, his long, episodic filmography has one distinct and…