Attention: this one’s for all the Obayashi heads out there. Daigo Matsui’s Rewrite begins in a place we know well: a high school girl named…
It’s not surprising that Fantasia organizers for the festival’s 2025 edition couldn’t help but highlight how Dog of God follows last year’s triumph of Flow,…
A young man named Ibuki (played by multi-hyphenate star Raul), styled as a “bad boy” because of, presumably, his dyed-blonde hair and dangling earrings, is…
In Michael Shanks’ body-horror-comedy Together, the recently-engaged but longtime-dating couple of Millie and Tim (played by real-life spouses and frequent creative collaborators Alison Brie and…
Bel Ami is a curious and often compelling entry in the canon of queer Chinese cinema — one that blends stylized melancholy with pointed political…
Director Sun-young Chun’s feature debut, A Girl with Closed Eyes, begins with a deceptively simple setup: a woman named In-seon (Minha Kim) shoots and kills…
An overwhelming sense of familiarity clings to Mikhail Red’s Lilim, which liberally deploys Gothic and folk horror tropes without grasping their inherent power. The film…
Dogs occupy a unique, almost sacred, space in our lives. They are not technically human, yet they embody qualities — loyalty, affection, intelligence — that…
Writer-director Jun Li received a degree in journalism from the Chinese University of Hong Kong, and in his self-referential film Queerpanorama, the journalistic impulse is…
Taweewat Wantha’s Attack 13 is unabashedly commercial entertainment — a horror movie made with the kind of cleanness, galloping pace, and pulsing score typical of…
The sands of time are unerring in their flow, which is another way of saying that if the desert is your home, time leaves few…
Ryota Kondo’s debut feature, Missing Child Videotape, begins 13 years following the disappearance of the protagonist, Keita’s (Rairu Sugita) younger brother, Hinata. When Keita’s mother…
In director Nicolás Pereda’s Copper, Lázaro (Pereda regular Lázaro Rodríguez) discovers a corpse by the side of the road. It’s unusual enough for him to…
“I understood that this had little to do with Berlin and everything to do with me,” the unnamed narrator of Lauren Oyler’s Fake Accounts proffers…
Contemporary cinema has been overtaken by analog textures for quite some time. Combined with the wide variety of formats they appropriate — Super 8, 35mm,…
Jaime Rosales’ Morlaix opens with a montage: open rural landscapes stretching over hills and fields, cut through by roads and paths. Then, a sleepy town,…
Popular depiction of the Soviet Union used to hinge on the Cold War’s ideological expediencies, and only with the country’s dissolution in 1991 was there…
The extraction of minerals from the Congo has been an ongoing colonial expedition since the Belgian king, Leopold II, personally annexed the country’s land via…
Filmmakers working under the constraints of an oppressive regime must become very good at leaving things unsaid. The main ideas are often relegated to the…
Assaf Gruber’s Miraculous Accident provides us with what we might wish to distinguish as one of the first contemporary Jewish anti-Zionist fiction projects. With this,…
The world of Drifting Laurent, the sophomore feature by directors Anton Balekdjian, Léo Couture, and Mattéo Eustachon, is not too dissimilar from that of Alain…