One of the biggest British hits when it was released in the country last year, I Swear has finally made its way to U.S. theaters.…
What a strange thing, the Olympics. In 1896, with the tools for globalization just barely on the horizon, the world (or, rather, Greece, leveraging its…
No, it’s not the Brendan Fraser vehicle, nor is Boris Karloff back from the dead; Tom Cruise, mercifully, is nowhere to be found. An original…
Can there be any reward for tolerance in an intolerant world? Fatih Akin’s Amrum opens with the arrival of German refugees to the titular German…
Two things can be true at once — a simple fact of life many folks still struggle to accept. Even with his reputation perpetually tarnished…
Tarik Saleh’s Eagles of the Republic, the final installment in the Swedish-Egyptian filmmaker’s Cairo trilogy following 2017’s The Nile Hilton Incident and 2022’s Cairo Conspiracy,…
In 2018, Saudi Arabia opened its first movie theaters in more than three decades. Just a few short years later, production began on the $150…
It’s almost always fun when a movie hops genres, changing up the structure and tropes you thought it was operating under until you realize it…
Isolationism breeds a variety of affects that spur those involved toward indelibly discrete action. In many, Sho Miyake’s latest, Two Seasons, Two Strangers, courses the…
If Peter Farrelly acquired any auteurist pretensions after undeservedly winning the Oscar for Best Picture with his insincere race-relations road movie Green Book (2018), he…
Purists will surely find something to cavil at in Aneil Karia’s latest spin on William Shakespeare’s greatest and longest play, Hamlet, as is so often…
Existing at the nexus of fashion, popular music, and horror, David Lowery’s Mother Mary, a multi-genre whatsit, proudly wears its pretentiousness on its (couture) sleeve.…
Sophy Romvari has used cinema to mine the fractured, seemingly incomplete nature of her family history since her first short film, Nine Behind. In that…
It wasn’t too surprising to watch Bob Odenkirk transition from a comedian to a sturdy dramatic actor; that kind of thing happens all the time.…
“The working man is a sucker” — so reads the opening title card of Joel Alfonso Vargas’ debut feature, Mad Bills to Pay (or Destiny,…
Josh Heap’s City Wide Fever is the best kind of micro-budget, DIY indie film, one that doesn’t attempt to hide its poverty of means but leans into…
Excepting the newly bicurious and the chronically polyamorous, most people will adore Erupcja for the wrong reasons. Pete Ohs’ sixth narrative feature has, on the…
“What are the stats on shark movies? Still just the one good one?” That’s a direct quote from perennial funnyman Paul F. Tompkins, made during…
Having decided myself to migrate from a Toronto suburb to Montreal in my young adulthood shortly after hearing Visions for the first time, I am…
In the new Apple TV original film Outcome, Keanu Reeves stars as Reef Hawk, a hugely successful actor emerging from a five-year hiatus that found…
Few people are immune to the power of a tale thrillingly told. So says Buffalo Bill Cody, narrator of Alessio Rigo de Righi and Matteo…