In 2017’s Summer 1993, director Carla Simón’s feature debut, a young girl is sent to live with her mother’s family in Barcelona after her mother’s…
His debut feature Son of Saul anointed László Nemes as the Béla Tarr heir apparent (challenged, briefly, by Hu Bo, until his death by suicide…
Only his second feature-length film after maɬni—towards the ocean, towards the shore (2021), Sky Hopinka’s Powwow People is the director’s least tangibly experimental project to…
In Kunsang Kyirong’s feature 100 Sunset, the camera roots itself deep within a tight-knit community of Tibetan immigrants in Toronto, the film taking place during…
Bouchra, Orian Barki and Meriem Bennani’s unusual, surprising, and often moving debut feature, centers on the relationship between its eponymous character, a queer Moroccan filmmaker…
Girl, the directorial debut of Taiwanese actress Shu Qi, is a beautiful film about a number of ugly subjects. In many respects, this is the…
In 2002, Hungarian director Pálfi György released his first film Hukkle to near-universal acclaim. The title, which is an onomatopoeia for the sound of a…
The pursuit of meaning in life is a negatory one. The more one seeks understanding, the more mystery one discovers. The more one learns to…
Jonatan Etzler’s Bad Apples takes place somewhere in the United Kingdom, most likely a studio somewhere near Bristol, though it may as well be mistaken…
The third and final Wavelengths group program, Slightest Pretense, is a decidedly mixed bag, although it does contain the two best films in the entire…
Kazuo Ishiguro’s 1982 novel A Pale View of Hills, with its unreliable first-person narrator and dual timelines of Nagasaki in the 1950s and England in…
As Bubi (Amerul Affendi), the dispassionate and dismally successful hustler of small scams, re-marries, he abandons his two sons, Ali (Idan Aedan) and Amir (Hadi…
When one sees enough festival films, certain patterns begin to emerge. This isn’t in reference to the thematic ones that are often articulated in critics’…
Amid a churning torrent of acid gold, Hilal Baydarov’s Sermon to the Void unveils its true form, slipping away from its preambulatory parable into something…
As the Western world’s exemplar of an exotic and fantastical Orient, the city of Bangkok has fashioned itself into a locale of permissivity where sin…
Claire Simon’s new documentary portrait Writing Life – Annie Ernaux Through the Eyes of High School Students is, for the most part, strikingly straightforward. Clocking…
The most prolific filmmaker in the Baltics has returned. Šarūnas Bartas, the director behind The House and Peace to Us in Our Dreams, has been…
A woman, beautiful and a touch removed, travels to Switzerland from Argentina to accept an award. She throws the glass statuette in the bathroom trash,…
The debut feature from Spanish director Lucía Aleñar Iglesias is a different kind of coming-of-age story, one that finds its young protagonist Cata (Zoe Stein)…
Wavelengths 2: Into the Blue, more than either of the other 2025 shorts programs or the features, exemplifies experimental film programming’s recent trend toward documentary,…
In the opening scenes of Cai Shangjun’s The Sun Rises on Us All, a woman in her mid-30s, Meiyun (Xin Zhilei), is getting an ultrasound.…