Film festival fare currently awaiting U.S. distribution.
MMXX — Cristi Puiu [SSIFF ’23 Review]
September 30, 2023
Evil Does Not Exist — Ryûsuke Hamaguchi [SSIFF ’23 Review]
September 30, 2023
The Silence — Joachim Lafosse [SSIFF ’23 Review]
September 30, 2023
Perfect Days — Wim Wenders [SSIFF ’23 Review]
September 30, 2023
Camping du Lac — Eléonore Saintagnan [SSIFF ’23 Review]
September 30, 2023
The Promised Land — Nikolaj Arcel
September 30, 2023
Last Shadow at First Light — Nicole Midori Woodford [SSIFF ’23 Review]
September 30, 2023
Saturn Bowling — Patricia Mazuy
September 26, 2023
Bouquets 31-40 — Rose Lowder [TIFF ’23 Review]
September 20, 2023
Next Goal Wins — Taika Waititi
September 20, 2023
The Dead Don’t Hurt — Viggo Mortensen [TIFF ’23 Review]
September 20, 2023
Sing Sing — Greg Kwedar [TIFF ’23 Review]
September 20, 2023
One Life — James Hawes [TIFF ’23 Review]
September 20, 2023
Boil Alert — Stevie Salas & James Burns [TIFF ’23 Review]
September 20, 2023
The Contestant — Clair Titley [TIFF ’23 Review]
September 20, 2023
He Thought He Died — Isiah Medina [TIFF ’23 Review]
September 18, 2023
Pain Hustlers — David Yates [TIFF ’23 Review]
September 18, 2023
Snow Leopard — Pema Tseden [TIFF ’23 Review]
September 18, 2023
Poolman — Chris Pine [TIFF ’23 Review]
September 18, 2023
100 Yards — Xu Haofeng, Xu Junfeng [TIFF ’23 Review]
September 18, 2023
Working Class Goes to Hell — Mladen Djordjevic [TIFF ’23 Review]
September 18, 2023
Yellow Bus — Wendy Bednarz [TIFF ’23 Review]
September 18, 2023
The Holdovers — Alexander Payne [TIFF ’23 Review]
September 15, 2023
Menus-Plaisirs: Les Troisgros — Frederick Wiseman [TIFF ’23 Review]
September 15, 2023
Mademoiselle Kenopsia — Denis Côté [TIFF ’23 Review]
September 15, 2023
In the Rearview — Maciek Hamela [TIFF ’23 Review]
September 15, 2023
The Daughters of Fire — Pedro Costa [TIFF ’23 Review]
September 15, 2023
A Normal Family — Hur Jin-ho [TIFF ’23 Review]
September 15, 2023
Dumb Money — Craig Gillespie
September 13, 2023
The Pigeon Tunnel — Errol Morris [TIFF ’23 Review]
September 13, 2023
Sleep — Jason Yu [TIFF ’23 Review]
September 13, 2023
Les Indésirables — Ladj Ly [TIFF ’23 Review]
September 13, 2023
The Breaking Ice — Anthony Chen [TIFF ’23 Review]
September 13, 2023
The Palace — Roman Polanski [Venice ’23 Review]
September 10, 2023
Snow in Midsummer — Keat Aun Chong [Venice ’23 Review]
September 7, 2023
Foremost by Night — Víctor Iriarte [Venice ’23 Review]
September 7, 2023
Following the Sound — Kiyoshi Sugita [Venice ’23 Review]
September 7, 2023
Essential Truths of the Lake — Lav Diaz
August 16, 2023
The Old Oak — Ken Loach [Locarno ’23 Review]
August 16, 2023
River — Yamaguchi Junta [Fantasia Fest ’23 Review]
August 14, 2023
Hundreds of Beavers — Mike Cheslik [Fantasia Fest ’23 Review]
August 14, 2023
Home Invasion — Graeme Arnfield [Fantasia Fest ’23 Review]
August 14, 2023
Take Care of My Cat — Jeong Jae-eun [Fantasia Fest ’23 Review]
August 14, 2023
The Human Surge 3 — Eduardo Williams [Locarno ’23 Review]
August 11, 2023
Family Portrait — Lucy Kerr [Locarno ’23 Review]
August 11, 2023
Red Rooms — Pascal Plante [Fantasia Fest ’23 Review]
August 4, 2023
Blackout — Larry Fessenden [Fantasia Fest ’23 Review]
August 4, 2023
The Abandoned — Tseng Ying-Ting [Fantasia Fest ’23 Review]
August 4, 2023
The Sacrifice Game — Jenn Wexler [Fantasia Fest ’23 Review]
August 4, 2023
Darkness — Emanuela Rossi
July 26, 2023
Nomad — Patrick Tam [NYAFF ’23 Review]
July 25, 2023
Redemption with Life — Zhang Wei [NYAFF ’23 Review]
July 25, 2023
He Went That Way — Jeffrey Darling [Tribeca ’23 Review]
June 16, 2023
Somewhere Quiet — Olivia West Lloyd [Tribeca ’23 Review]
June 14, 2023
Deep Sea — Xiaopeng Tian [Tribeca ’23 Review]
June 14, 2023
Man in Black — Wang Bing [Cannes ’23 Review]
June 3, 2023
Tiger Stripes — Amanda Nell Eu [Cannes ’23 Review]
June 3, 2023
Youth (Spring) — Wang Bing
May 30, 2023
The Pot-au-Feu — Trần Anh Hùng [Cannes ’23 Review]
May 26, 2023
Still: A Michael J. Fox Movie — Davis Guggenheim
May 12, 2023
Riceboy Sleeps — Anthony Shim
May 5, 2023
Unrest — Cyril Schäublin
May 5, 2023
scènes de ménage: I. II. III. — Alexandre Larose
May 5, 2023
Freaks vs. The Reich — Gabriele Mainetti
April 28, 2023
R.M.N. — Cristian Mungiu
April 28, 2023
Trenque Lauquen — Laura Citarella
April 21, 2023
Dry Ground Burning — Joana Pimenta, Adirley Queirós
April 21, 2023
Other People’s Children — Rebecca Zlotowski
April 21, 2023
Cherry — Sophie Galibert
April 21, 2023
Sick of Myself — Kristoffer Borgli
April 14, 2023
Showing Up — Kelly Reichardt
April 7, 2023
Leila’s Brothers — Saeed Roustaee [ND/NF ’23 Review]
April 7, 2023
Maputo Nakuzandza — Ariadine Zampaulo [ND/NF ’23 Review]
April 6, 2023
Giraffe | Anna Sofia Hartmann
March 31, 2023
The Secret Garden — Nour Ouayda [Cinéma du Réel ’23 Review]
March 31, 2023
Eventide — Sharon Lockhart [Cinéma du Réel ’23 Review]
March 31, 2023
Timescape — Aristomenis Tsirbas
March 24, 2023
Hung Up on a Dream — Robert Schwartzman [SXSW ’23 Review]
March 24, 2023
Monolith — Matt Vesely [SXSW ’23 Review]
March 24, 2023
I Used To Be Funny — Ally Pankiw [SXSW ’23 Review]
March 17, 2023
This Closeness — Kit Zauhar [SXSW ’23 Review]
March 17, 2023
Anhell69 — Theo Montoya [SXSW ’23 Review]
March 17, 2023
Aberrance — Baatar Batsukh [SXSW ’23 Review]
March 17, 2023
Brother and Sister — Arnaud Desplechin
March 10, 2023
Forever Young — Valeria Bruni-Tedeschi
March 10, 2023
Neneh Superstar — Ramzi Ben Sliman
March 10, 2023
The Gravity — Cédric Ido
March 10, 2023
The Echo — Tatiana Huezo [Berlinale ’23 Review]
February 28, 2023
Mammalia — Sebastian Mihăilescu [Berlinale ’23 Review]
February 28, 2023
Tótem — Lila Avilés [Berlinale ’23 Review]
February 28, 2023
in water — Hong Sang-soo [Berlinale ’23 Review]
February 28, 2023
Notes From Eremocene — Viera Čákanyová [Berlinale ’23 Review]
February 28, 2023
On the Adamant — Nicolas Philibert [Berlinale ’23 Review]
February 28, 2023
Dancing Queen — Aurora Gossé [Berlinale ’23 Review]
February 28, 2023
The Beast in the Jungle — Patric Chiha [Berlinale ’23 Review]
February 28, 2023
Inside — Vasilis Katsoupis [Berlinale ’23 Review]
February 24, 2023
Samsara — Lois Patiño [Berlinale ’23 Review]
February 24, 2023
Regardless of Us — Yoo Heong-jun [Berlinale ’23 Review]
February 24, 2023
Here — Bas Devos [Berlinale ’23 Review]
February 24, 2023
That Day, On the River — Lei Lei [Berlinale ’23 Review]
February 24, 2023
Mad Fate — Soi Cheang [Berlinale ’23 Review]
February 22, 2023
Allensworth — James Benning [Berlinale ’23 Review]
February 22, 2023
Tomorrow Is a Long Time — Jow Zhi Wei [Berlinale ’23 Review]
February 22, 2023
Silver Haze — Sacha Polak [Berlinale ’23 Review]
February 22, 2023
There is a Stone — Tatsunari Ota [Berlinale ’23 Review]
February 22, 2023
Absence — Wu Lang [Berlinale ’23 Review]
February 22, 2023
#Manhole — Kazuyoshi Kumakiri [Berlinale ’23 Review]
February 22, 2023
Magazine Dreams — Elijah Bynum [Sundance ’23 Review]
February 4, 2023
Eileen — William Oldroyd [Sundance ’23 Review]
February 4, 2023
The Longest Goodbye — Ido Mizrahy [Sundance ’23 Review]
February 4, 2023
Sometimes I Think About Dying — Rachel Lambert [Sundance ’23 Review]
February 1, 2023
When It Melts — Veerle Baetens [Sundance ’23 Review]
February 1, 2023
Animalia — Sofia Alaoui [Sundance ’23 Review]
February 1, 2023
The Night Logan Woke Up — Xavier Dolan [Sundance ’23 Review]
January 27, 2023
Young. Wild. Free. — Thembi L. Banks [Sundance ’23 Review]
January 27, 2023
In My Mother’s Skin — Kenneth Dagatan [Sundance ’23 Review]
January 27, 2023
La Pecera — Glorimar Marrero Sánchez [Sundance ’23 Review]
January 27, 2023
Kim’s Video — David Redmon [Sundance ’23 Review]
January 27, 2023
Against the Tide — Sarvnik Kaur [Sundance ’23 Review]
January 27, 2023
Last Things — Deborah Stratman [Sundance ’23 Review]
January 27, 2023
MAMACRUZ — Patricia Ortega [Sundance ’23 Review]
January 27, 2023
Sick — John Hyams
January 13, 2023
Jethica — Pete Ohs
January 13, 2023
Saint Omer — Alice Diop
January 13, 2023
The Fire Within — Werner Herzog [DOC NYC ’22 Review]
November 24, 2022
Coldwater Kitchen — Brian Kaufman, Mark Kurlyandchik
November 24, 2022
White Night — Tania Ximena, Yollotl Gómez Alvarado
November 24, 2022
A Witch Story — Yolanda Pividal [DOC NYC ’22 Review]
November 18, 2022
Our Movie — Diana Bustamante [DOC NYC ’22 Review]
November 18, 2022
Wisdom Gone Wild — Rea Tajiri [DOC NYC ’22 Review]
November 18, 2022
Septet: The Story of Hong Kong — Various Directors [SDAFF ’22 Review]
November 17, 2022
The Lobby — Heinz Emigholz
October 18, 2022
You Have to Come and See It — Jonás Trueba [NYFF ’22 Review]
October 14, 2022
Exterior Night — Marco Bellocchio [NYFF ’22 Review]
October 14, 2022
The Unstable Object II — Daniel Eisenberg [NYFF ’22 Review]
October 14, 2022
The Dam — Ali Cherry [NYFF ’22 Review]
October 14, 2022
Mutzenbacher — Ruth Beckermann [NYFF ’22 Review]
October 6, 2022
Slaughterhouses of Modernity — Heinz Emigholz [NYFF ’22 Review]
October 1, 2022
Godland — Hlynur Pálmason
September 19, 2022
All the Beauty and the Bloodshed — Laura Poitras
September 19, 2022
The Blue Caftan — Maryam Touzani
September 19, 2022
Ever Deadly — Tanya Tagaq, Chelsea McMullan
September 19, 2022
Sanctuary — Zachary Wigon
September 17, 2022
Concrete Valley — Antoine Bourges
September 17, 2022
Documentary Now! — Alex Buono, Rhys Thomas, Micah Gardner
September 17, 2022
Butcher’s Crossing — Gabe Polsky
September 16, 2022
The Maiden — Graham Foy
September 16, 2022
Muru — Tearepa Kahi
September 16, 2022
Viking — Stéphane Lafleur
September 15, 2022
Charcoal — Carolina Markowicz
September 15, 2022
The Hotel — Wang Xiaoshuai
September 13, 2022
Subtraction — Mani Haghighi [TIFF ’22 Review]
September 13, 2022
Horse Opera — Moyra Davey
September 13, 2022
Skin Deep — Alex Schaad
September 12, 2022
Chiara — Susanna Nicchiarelli
September 12, 2022
Stonewalling — Huang Ji & Ryuji Otsuka [Venice ’22 Review]
September 12, 2022
Camarera de Piso — Lucrecia Martel
September 8, 2022
When the Waves Are Gone — Lav Diaz [Venice ’22 Review]
September 8, 2022
Autobiography — Makbul Mubarak
September 8, 2022
Luxembourg, Luxembourg — Antonio Lukich
September 8, 2022
Fairytale — Alexander Sokurov
August 17, 2022
Rule 34 — Julia Murat
August 17, 2022
It Is Night in America — Ana Vaz
August 17, 2022
Love Dog — Bianca Lucas
August 17, 2022
Matter Out of Place — Nikolaus Geyrhalter
August 17, 2022
Human Flowers of Flesh — Helena Wittmann
August 13, 2022
Tommy Guns — Carlos Conceição
August 13, 2022
Stone Turtle — Woo Ming Jin
August 13, 2022
Popran — Shinichiro Ueda
August 6, 2022
Incredible But True — Quentin Dupieux
August 1, 2022
Gussy — Chris Osborn
August 1, 2022
Virgin Blue — Niu Xiaoyu
July 29, 2022
Manchurian Tiger — Geng Jun
July 29, 2022
Confession — Yoon Jong-seok
July 29, 2022
Mercenaries From Hong Kong — Wong Jing
July 27, 2022
Country Gold — Mickey Reece
July 27, 2022
Chorokbam — Yoon Seo-jin
July 27, 2022
My Small Land — Emma Kawawada
July 25, 2022
Just Remembering — Daigo Matsui
July 25, 2022
Swallowed — Carter Smith
July 25, 2022
The Diabetic — Mitchell Stafiej
July 21, 2022
The Mole Song: Final — Takashi Miike
July 21, 2022
Terrorizers — Ho Wi Ding
July 19, 2022
Nothing Serious — Jeong Ga-young
July 19, 2022
Ribbon — Non
July 19, 2022
Hold Me Tight — Mathieu Amalric
July 3, 2022
Ferny & Luca — Andrew Infante
July 1, 2022
In Her Name — Sarah Carter
June 23, 2022
January — Viesturs Kairišs
June 23, 2022
My Name is Andrea — Pratibha Parmar
June 23, 2022
Rounding — Alex Thompson
June 20, 2022
The Year Between — Alex Heller
June 20, 2022
Family Dinner — Peter Hengl
June 13, 2022
Next Sohee — July Jung
June 1, 2022
Harkis — Philippe Faucon
June 1, 2022
Metronom — Alexandru Belc
June 1, 2022
Yamabuki — Juichiro Yamasaki
May 28, 2022
Love According to Dalva — Emmanuelle Nicot
May 27, 2022
Pacifiction — Albert Serra
May 26, 2022
Magdala — Damien Manivel
May 26, 2022
Under the Fig Trees — Erige Sehiri
May 26, 2022
Don Juan — Serge Bozon
May 25, 2022
In the billowing night — Erika Etangsalé
May 6, 2022
The City & the City — Syllas Tzoumerkas & Christos Passalis
April 29, 2022
A Marble Travelogue — Sean Wang
April 4, 2022
Babi Yar. Context — Sergei Loznitsa
March 28, 2022
It Is In Us All — Antonia Campbell-Hughes
March 18, 2022
A Lot of Nothing — Mo McRae
March 18, 2022
Raquel 1:1 — Mariana Bastos
March 18, 2022
Seriously Red — Gracie Otto
March 16, 2022
Self-Portrait — Joële Walinga
March 16, 2022
Under the Influence — Casey Neistat
March 16, 2022
Bitch Ass — Bill Posley
March 14, 2022
The Art of Making It — Kelcey Edwards
March 14, 2022
Pirates — Reggie Yates
March 14, 2022
The Sower of Stars — Lois Patiño
February 24, 2022
Terminal Norte — Lucrecia Martel
February 24, 2022
Rewind and Play — Alain Gomis
February 24, 2022
A Little Love Package — Gastón Solnicki
February 23, 2022
The United States of America — James Benning
February 22, 2022
Jet Lag — Zheng Lu Xinyuan
February 22, 2022
Afterwater — Dane Komljen
February 22, 2022
Geographies of Solitude — Jacquelyn Mills
February 22, 2022
The Kegelstatt Trio — Rita Azevedo Gomes
February 22, 2022
Framing Agnes — Chase Joynt
February 2, 2022
Am I OK? — Stephanie Allynne and Tig Notaro
January 31, 2022
